U.S. marshal Britt MacMasters returns from a mission to find his father wounded and his son kidnapped by the outlaw Jed Blake. Hot on their trail, Britt forms a posse with a gunslinging deputy and a stoic Pawnee tracker. But Jed and Britt tread dangerously close to the Red Desert’s Sioux territory.
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Harker Flet and compatriots Timothy X. Nolan and Katy, along with three other men, steal $40,000 in money and jewelry from a California train in the gold-mining country of the 1880’s. The six split up and while they are hiding out awaiting the rendezvous to divide the loot, Hark is cornered, framed and sent to prison. He is released after two-and-a-half years and sets out to find Katy and Nolan and get his share of the loot.
A comprehensive look at the events leading up to the Battle of the Little Bighorn as well as the myths and legends it spawned, and its impact on history.
A fur-trapper named Kelly, who once saved the life of a Sioux chief, is allowed to set his traps in Sioux territory during the late 1870s. Reluctantly he takes on a tenderfoot assistant named Anse and together they give shelter to a runaway Arapaho woman. Tensions develop when Anse falls in love with this woman and when the Sioux chief arrives with his warriors to re-claim her.
Winnetou’s tribe is in dire straits. There is a threat of famine as the all-important buffalo herds are now failing. As the headman’s son, young Winnetou wants to prove to his father Intschu-chuna how brave he is and how great a warrior he can be, because he thinks his son still has a lot to learn. To save his tribe, he goes on a dangerous adventure.
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on the early frontier.
Jack is a wanderer whose aimless roaming leads him to a number of interesting locations and into the company of many interesting people, and despite his fascination with bullfighting he leads a largely peaceful existence. When a crime boss’ daughter is accidentally gored to death, Jack is implicated in the unfortunate event and singled out for termination by a seemingly unending army of lethal hitmen. As Jack wages an uphill battle for survival against the harsh desert terrain and a hail of gun smoke and lead, his will to live depends on his ability to exercise his demons and come to terms with the fact that he may not live to see another sunrise.
Hoppy goes undercover as an outlaw (which permits him, for once, to drink and be mean to children) to track down a bunch of outlaws operating along the border. Loco, the head bad guy, deflects suspicion from himself by pretending to be a moron.
One of Cannon Films’ two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini’s Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom’s maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O’Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi’s fine musical score, but the film is otherwise anemic.
Julia Garth, a female doctor, plans to introduce modern techniques of medicine to old Santa Fe in 1880, but is opposed by an established doctor, Rourke O’Brien.
After a group of convicts escapes from prison, they take refuge in the wilderness. While most of the crew are ruthless sociopaths, Jim Canfield is an innocent man who was jailed under false pretenses. When Canfield and his fellow fugitives reach an isolated farming settlement where the men are all away, it creates tension with the local women. Things get direr when rumors of hidden money arise, and Canfield discovers that the man who framed him is part of the community.
