Marshall Dan Mitchell, who is the law in Abilene, has the job of keeping peace between two groups. For a long time, the town had been divided, with the cattlemen and cowboys having one end of town to themselves, while townspeople occupied the other end. Mitchell liked it this way, it made things easier for him, and kept problems from arising between the two factions. However…

The colourfully named gold prospector Hermann Kermit Warm is being pursued across 1,000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.

Lanky Fellow has a typical cynical SW like way to earn his living. He observes valuable transports of money or gold, but when they are robbed he doesn’t intervene, but follows the robbers and then brings the loot back to collect the insurance. When his “job” brings him in conflict with the notorious outlaw Gus Kenneback, he has personal reasons to protect the money as Kenneback was once responsible for the death of Lanky’s brother.

Fueled by stunning footage, this stirring documentary considers wild horses’ role in the American psyche and their dwindling numbers in today’s West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

A circuit judge in the old west attempts to bring a suspected killer to justice. The judge runs afoul of the killer’s rich cattle baron father in the process.

Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.

Set in 1820, a Texan fur trapper journeys into the mysterious Buckskin woods in the hopes of saving a lost boy. Once there, Wesley Porter must confront the demons of his past and navigate the savage Native’s traps in order to bring himself and the young man home alive.

An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons–his sole purpose being to bring down his old friend Billy the Kid.

Carefree Chuck Connor is on his way west and stops off to see an old friend and his four lads. When his host is killed in a riding accident Chuck realises he must take care of the family. They hit the road and he takes a job on a ranch, but he has to keep the children hidden as his boss hates kids. There’s also tension with the neighbouring ranch, and when a girl on the run from her nasty uncle joins the family unannounced Chuck wonders what he has done to deserve all this.

Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon, though, the tenderfoot finds out life on the range is neither what he expected nor what he’s been looking for…

A con artist arrives in a mining town controlled by two competing companies. Both companies think he’s a famous gunfighter and try to hire him to drive the other out of town.

In Old California, a young Frenchman transporting a chest full of silver travels by stagecoach to San Marino, to complete a complex business deal. The stagecoach is ambushed by a band of men whose leader, a mysterious bandido known as Cisco (Gilbert Roland), claims the silver is money that was extorted over a period of years from the poor people of California. The bandits take the money and escape, but Cisco stays behind with the Frenchman — who, it turns out, is actually a lovely mademoiselle, Jeanne DuBois (Ramsay Ames). She follows him to the bandit’s lair, where Cisco tells her he intends to return the stolen money to the poor people. The two rivals are irresistibly drawn to each other, however, and as a token of love Cisco offers to return the money to Jeanne instead. Now she must decide whether to complete her business deal, or to comply with Cisco’s wishes and redistribute the wealth.