Narasimha is a man on the run with his one-year-old son. He reaches Kumbakonam and stays at the house of the village temple’s dharma karta’s house. But while there, he bumps into Gowri who seems to dislike him for some reason, despite being his childhood friend. A death row inmate Rami Reddy also seems to hold a grudge against Narasimha. Who is Narasimha and what did he do to make so many enemies?

Mia Roarke is an actress quickly approaching 40. She’s had her moment in the spotlight and now struggles to get back to where she once was. Or anywhere. Mia can’t catch a break, and in the cutthroat world of The Business, Mia is her own worst enemy. No matter how hard she tries, she’s competing in a younger woman’s world and she can’t get used to the idea that she’s ‘too old’ and no longer viable. Her agent wants to get rid of her, she’s got a controlling mother she supports and an ex husband who is poised for stardom. Then, a strange and humiliating turn of events gives her the chance to come back into the spotlight.

A story revolving around a dysfunctional family of two brothers who visit their parents and grandfather in Coonoor, and end up falling for the same woman.

With a tale of a caper gone wrong, this black comedy evokes the freewheeling émigré culture of lads short on work and cash and long on heavy boozing in the Irish lairs of Brooklyn and the Bronx. James, who has just burned his last bridge and now lacks both a job and a wife, teams up with friend Eoin on a for-hire mission to the racetrack on behalf of slippery raconteur Timmy Thomas. In a clumsy attempt at sleight of hand by a pair who wouldn’t know a winning hand if they saw one, the boys screw up royally, putting themselves under heavy obligation to a clutch of gangsters. There’s a new angle when a bold lady with a soft spot for the sound of Irish and the hots for greenbacks sets her sights on James.

Hannah is a seventeen-year-old girl who struggles to find her place in the world. Around the time that she gives up all hope of fitting in, her grandfather falls ill. She and her brother, Charlie, drive up the coast of West Michigan in order to visit him on his deathbed. However, their journey north takes a turn after their car breaks down in rural Michigan, and Hannah’s search for meaning grows more crucial than ever.

In 1700s Austria, a witch-hunter’s apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, the injustice, the falsehood, the torture and the arbitrary killing that go with the job.

Ryan has been plagued with nightmares since the night his sister Amy went missing 8 years earlier after playing the game “Bloody Mary.” Amy had stumbled onto a website on the Internet (www.marked4mary.com) about a witch called Bloody Mary and a game to summon her evil spirit. Now a senior in college, Ryan is reaching a mental breaking point from the years of stress and guilt from his sisters disappearance. His girlfriend Rachel frustrated herself at Ryan’s emotional distance and self pity, calls for help to a former professor of Ryan’s, Father O’Neal. Father O’Neal is both a priest and a archaeologist who decides to help Ryan end his tormenting grief by using his detective skills and wit to figure out what exactly happened to Ryan’s sister, and uncover the truth to the Legend of Bloody Mary

A musical drama film directed by Ravi Jadhav, starring Riteish Deshmukh and Nargis Fakhri in the lead roles.

Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.

Longtime couple Henry and Dianne are afraid that if they finally tie the knot it would mean the end of their days as free-spirited urbanites. But a whirlwind night apart involving temptations from a duo of strangers will either make them realize why they are together in the first place or finally drive them apart forever.

Picking a pocket leads to blackmail and murder for a petty criminal (Sidney Tafler) in London.

Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.