Longtime couple Henry and Dianne are afraid that if they finally tie the knot it would mean the end of their days as free-spirited urbanites. But a whirlwind night apart involving temptations from a duo of strangers will either make them realize why they are together in the first place or finally drive them apart forever.
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Eliska’s husband has left her for a younger woman. She is childless, in her early forties, yet still attractive. Till then she had taken care of her successful husband, but now she has to start anew without his financial support. Eliska starts teaching at a local village school. Since she can’t find a lodging, she moves to a former morgue. The small house is already occupied by a quirky and grumpy graveyard keeper named Bozicek. Their house sharing leads to a series of comical conflicts, but they eventually fall in love and Eliska proves to her ex-husband that she is able to stand on her own.
In 1983, high school teacher Ji-hwan is attacked by a pickpocket. In 2015, homicide detective Gun-woo is shot during a chase and loses consciousness. Both men are taken to the same hospital in different time periods, and both their hearts stop and miraculously start again at the same time. A mysterious force binds them together, allowing them to see through each other’s lives in their dreams. Soon realizing that the women they love strikingly resembles each other and that they are in fatal danger, the two men must team up to trace the past and change her destiny.
Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.
As if their pre-arranged date, organized by their traditional Indian parents, wasn’t uncomfortable enough, Ravi and Rita are forced to shelter in place together as COVID-19’s reach intensifies. Hopefully for their sake, opposites do indeed attract.
A dark comedy horror anthology that showcases three different types of horror genres: home invasion, slasher, and the main course, zombies.
A grandmother seeks a governess for her 16 year old granddaughter, Laurel, who manages to drive away each and every one so far by exposing their past, with a record of three in one week! When an applicant with a mysterious past manages to get the job, Laurel vows to expose her. Meanwhile, Laurel’s married-divorced-married mother tries to get her back.
Chen Zhen, a Chinese engineering student in Kyoto, who braves the insults and abuse of his Japanse fellow students for his local love Mitsuko Yamada, daughter of the director, returns in 1937 to his native Shangai, under Japanse protectorate -in fact military occupation- after reading about the death of his kung-fu master Hou Ting-An in a fight against the Japanese champion Ryuichi Akutagawa.
Undercover cop Jim Raynor (Jason Patric) is a seasoned veteran. His partner, Kristen Cates (Jennifer Jason Leigh), is lacking in experience, but he thinks she’s tough enough to work his next case with him: a deep cover assignment to bring down the notoriously hard-to-capture drug lord Gaines (Gregg Allman). While their relationship turns romantic during the assignment, they also turn into junkies, and will have to battle their own addictions if they want to bring down Gaines once and for all.
Based on the best selling autobiography by Irish expat Frank McCourt, Angela’s Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the poverty endemic in the slums of pre-war Limerick. The film opens with the family in Brooklyn, but following the death of one of Frankie’s siblings, they return home, only to find the situation there even worse. Prejudice against Frankie’s Northern Irish father makes his search for employment in the Republic difficult despite his having fought for the IRA, and when he does find money, he spends the money on drink.
With Istanbul mired in political violence, Kadir is offered release after 15 years in prison if he’ll work as an informant. In a shantytown he stumbles upon his brother Ahmet, working for the city rounding up stray dogs and shutting himself in his home.
Indraneel’s sudden death averts a possible divorce, and takes Radhika on a fantastic inward journey of discovery of her own roots through the language of poetry, and lost love. A publisher asks Radhika to complete Indraneel’s works. This compels her to study his work, and thus begins her journey into the past. She realizes how much he romanticized their mundane, everyday life. Yet in reality, he was often insensitive, negligent and apathetic towards her. She wonders about his dual identity. How can a poet be unaware of his day-to-day realities, yet highlight moments from it in his art? Is art essentially an artifice?
