Drawing inspiration from the death-squad murders of several Gypsy families in Hungary in 2008, director Bence Fliegauf’s chilling and unforgettable real-life horror story follows a family whose dreams of emigration and escape are suddenly, horribly destroyed.
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Actor Park Joong-hoon makes his directorial debut with this tale of a talent manager, Taeshik, who is discovered as an actor himself and sees his success quickly surpass that of his prior client. But Taeshik is compelled to hold on to his stardom through any vile means necessary. He recalls Alain Delon’s Tom Ripley in Purple Noon. As Tom Ripley had wanted everything the millionaire and his girlfriend had, Taeshik also wants everything that his former employer Wonjoon had. Having taken.
Dharma is stuck in a rut with his negative and lonely lifestyle and spends each day in the comfort of his loneliness. A pup named Charlie who is naughty and energetic which is a complete contrast with the Dharma’s character enters his life and gives him a new perspective towards it.
Mia needs someone to go with her to a fertility clinic because she will have anesthesia. She asks her ex-boyfriend to go. The story explores the interactions of the characters both before and after.
In a quaint village of Haryana lives Miny, a free-spirited tomboy who instantly wins your heart with her bubbly personality. Her father, Bhatti, runs an auto-rickshaw business and is adamant to marry her off against her liking to Sunny. The male protagonist Viren, is a humble and ambitious rickshaw driver working for Miny’s father. Bhatti, insecure about Viren’s success, sells of all the rickshaws where Viren had carefully stashed his life savings. In an attempt to recover his money from Bhatti, Viren storms into Miny’s engagement with fury. This gives Miny the perfect opportunity to escape her marriage and so she stages a kidnap. However, the kidnap goes all wrong and she and Viren land up in Viren’s family mansion. Eventually, Miny’s father arrives with the ransom that she had asked for and takes her back home. Back in Punjab, while she is being married off to Sunny…
When an alcoholic detective fights to find a murderer targeting street workers in Vancouver’s Downtown Eastside, he struggles to escape the haunting memories of his past and unexpectedly finds solace within the fragile community he endeavours to protect.
Sara and Brian live an idyllic life with their young son and daughter. But their family is rocked by sudden, heartbreaking news that forces them to make a difficult and unorthodox choice in order to save their baby girl’s life. The parents’ desperate decision raises both ethical and moral questions and rips away at the foundation of their relationship. Their actions ultimately set off a court case that threatens to tear the family apart, while revealing surprising truths that challenge everyone’s perceptions of love and loyalty and give new meaning to the definition of healing.
Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.
Clinging to an unfinished letter written by her recently deceased father, young Momo moves with her mother from bustling Tokyo to the remote Japanese island of Shio. Upon their arrival, she begins to explore her new habitat, meeting local children and learning their routines and customs. However, it’s not long before several bizarre occurrences crop up around the previously tranquil island. Orchards are found ransacked, prized trinkets start disappearing and, worst of all, each morning after her mother leaves for work, Momo hears strange mumblings coming from the attic of their home. Annoyed by these creepy goings-on and her mother’s refusal to believe them, Momo embarks on a strange and supernatural adventure to discover the source of the mischief, which leads her to a trio of troublesome imps: the flatulent lizard Kawa, the childlike Mame and their hulking ogre leader Iwa. Momo also learns that her visit to the island is in some way connected to her father’s mysterious letter.
In the aftermath of a roadside accident, the line between the living and the dead collapses for a mother, a daughter and a stranger. A family affair, the movie was written, directed and produced by John Adams, Toby Poser, and their daughter, Zelda. They also star, shoot and compose the music for the film. A stunning portrait of resourcefulness, the family filmmaking team capitalizes on their life in the Catskill Mountains to create a unique icy tone. The skeletal forest invokes the atmosphere of dreams and as the film delves into the realm of the avant-garde, its blue-toned cinematography draws us into the sea of the subconscious.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnom to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans.
Joe Chan (Julian Cheung), an Pay-TV office manager, mourns the death of wife-to-be Winnie Tsang (Loletta Lee), while a spirit causes trouble for a pair of wrongdoers set on taking over the station. A not-so-literate taxi driver Shing Wai-lin (Simon Loui) visits a tarot reader after his girlfriend leaves him. The mystic warns him that he is set to meet a strange woman and he’ll be in certain danger. In a dingy flat, housing nurse Mindy (Fennie Yuen) treats triad member Ton’s (David Wong) latest wounds. Her Aunt Ha (Helen Law Lan), meanwhile, senses a dark force drawn to the flat’s dark hallway.