Two strangers strike up a conversation on a long journey. One is a suspect in an unsolved missing person’s case and the other an undercover operative on his trail. Their uneasy friendship becomes the core of this tightly wrought thriller, which is based on the true story of one of the largest investigations and undercover operations in Australia.

When in 1941 Nazi Germany invaded the Soviet Union, their troops quickly besieged Leningrad. Foreign journalists are evacuated but one of them, Kate Davies, is presumed dead and misses the plane. Alone in the city she is helped by Nina Tsvetnova a young and idealist police officer and together they will fight for their own survival and the survival of the people in the besieged Leningrad.

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Chen Yutong, a student at a girls’ high school, suffers from school bullying. Her mother, Li Han, is unable to save her daughter from “hell”, and everyone around her turns a “blind eye” to the violence brewing in the collective silence…

José Ferrer won the Oscar for Best Actor for his portayal of the swordsman-poet using his silver tongue to woo the woman he loves for another man. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play is a fictionalization of his life that follows the broad outlines of it. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene. The play has been translated and performed many times, and is responsible for introducing the word “panache” into the English language.

Luke’s exultance at being selected for The Skulls (a secret society bred within the walls of a prominent Ivy League Campus) is soon overshadowed when he realises that all is ‘not well in Wonderland’. For The Skulls is a breeding ground for the future powerful and elite. It’s not only a far cry from his working class background, but it also hallows its own deep and dark secrets.

From front rooms, Black families, friends, students and older generations navigate British and American society today.

An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman’s hair for her funeral, rediscovering his sparkle along the way.

Addison Schacht investigates the murder of his friend Kevin, with the help of Phoebe, and they discover the truth is darker than they ever imagined.

An idealist young dancer named Zoe (Romina D’Ugo) tackles the difficult issue of resurrecting disco dancing in today’s music business. She meets hostility beyond resistance on every dance floor where she spins and twirls. Fortunately, she has at least one ally, a nightclub owner and visionary named Michael (David Guintoli) who shares her zeal for the long-ago dance craze. With money to burn, Michael arranges for Zoe to test market bringing back disco, even with rival choreographers like Malika (Brooklyn Sudano). Soon dance takes a two-step in the wrong direction when hard-hearted Malika and Michael start vying to become Zoe’s dance partner.

A boyfriend’s jealous impulse spirals out of control in 16 minutes of continuous time.

Samet, who works as a bouncer in a bar, left home after his father abandoned the family years ago. His mother started living with his brother Emre. After a long time, Samet returns home and tells his brother Emre that he has found their father’s whereabouts and suggests they go together to where their father lives. The two brothers embark on a journey to Konya to confront their past. The other protagonist of the story, Ayşe, leads an ordinary life with her banker husband and seven-year-old daughter Ceren. When her daughter starts school, her encounter with the school’s security guard changes their lives. A secret relationship begins between the two. While Ayşe continues this relationship without fear of being caught, things eventually change. The paths of the two protagonists, Samet and Ayşe, will intersect in an unexpected way.