On July 27th, university student Aoi Hinata (Miwa) has an accident. When she wakes up, Aoi Hinata finds herself in a classroom from one week before the accident. At that time, her childhood friend Riku Hasegawa (Kentaro Sakaguchi) tells her “I will tell you a secret. I can turn back time.” Aoi Hinata and Riku Hasegawa like each other, but never expressed their feelings. They share their feelings for each other and go back to one year earlier. They spend their time happily as girlfriend and boyfriend, but there is a big secret behind the time slip. In addition, July 27 is approaching.
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This third and final film of the Falls trilogy revisits former Mormon missionaries Chris and RJ, six years after they first fell in love and were disciplined for it, as they formulate a plan to be together at long last.
To exact revenge, the Liar Game office is revived. The target is only one person – Shinichi Akiyama (Shota Matsuda). Because of new heroine Shinomiya (Mikako Tabe), Shinichi, who kept refusing to take part in the game, finds himself in the game. Along with Akiyama, there’s 19 other players competing for the prize of 2 billion yen. Omega (Makiko Esumi), who revived the game, plays the game at the Liar Game office with Alice (Mana Ashida). Alice sets up the game, chooses the players and sets the traps.
Caroline and Lloyd are a married couple constantly at each other’s throats, masters at crafting acid-tongued barbs at the other’s expense. Indeed, they are so obsessed with belittling each other that they never stop — not even at gunpoint. The gunman is Gus, a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him — for the sake of his own sanity — into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple’s marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion.
Carol, a typical upper middle-class housewife, begins to complain of vague symptoms of illness. She “doesn’t feel right,” has unexplained headaches, congestion, a dry cough, nosebleeds, vomiting, and trouble breathing. Her family doctor treats her concerns dismissively and suggests a psychiatrist. Eventually, an allergist tells her that she has Environmental Illness.
Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school.
JACO tells the story of Jaco Pastorius, a self-taught, larger-than-life musician who single-handedly changed the course of modern music by redefining the sound and the role of the electric bass guitar. Never-before-seen 8mm film, photographs, and audio recordings unveil the true story behind the legend of Jaco’s life, his music, and his heartbreaking end. Featuring Joni Mitchell, Sting, Flea, Herbie Hancock, Geddy Lee, Bootsy Collins, Santana, Wayne Shorter and more, JACO will leave you longing for a time when “musicians owned the music industry.” Produced by Metallica’s Robert Trujillo with Passion Pictures (Searching for Sugar Man) and directed by Mr. Paul Marchand & Stephen Kijak.
Laura Paddington is overcome with joy when her daughter, Zoe, returns to her after being abducted 17 years before–but is Zoe really her long lost child?
A small town is protected by one of the famous Ten Tigers of Kwangtung. The town is very safe as Ti Lung and his Kung Fu students patrol for criminals. Enter the rival Kung Fu school whom Ti Lung’s students have beaten in a lion dance competition and then humiliated in a brawl. The rival school is joined by an opium dealing Kung Fu master who plans to turn the town into a community of addicts!
An ancient wind carries with it omens of the apocalypse, stirring the pride and envy of a group of college kids to murderous rage. Michael Mongillo’s directorial debut is a lyrical, meditative film charged with sex and violence.
After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style. Brian adopts his mentor’s cynical philosophy on life and goes for the money. He leaves his artist girlfriend Jordan Mooney for Bonnie, a wealthy, high-powered executive. Brian soon must chose between the two, as he evaluates his options.
