In the midst of a searing Florida heat wave, a woman convinces her lover, a small-town lawyer, to murder her rich husband.
You May Also Like
Jess, age 18, and Moss, age 12 are second cousins in the dark-fire tobacco fields of rural Western Kentucky. Without immediate families that they can relate to, and lacking friends their own age, they only have each other. Over the course of a summer they venture on a journey exploring deep secrets and hopes of a future while being confronted with fears of isolation, abandonment and an unknown tomorrow.
Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.
Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.
After her outlaw husband returns home shot with eight bullets and barely alive, Jane reluctantly reaches out to an ex-lover who she hasn’t seen in over ten years to help her defend her farm when the time comes that her husband’s gang eventually tracks him down to finish the job.
Following a dispute with his father, a young man falls prey to cryptocurrency’s allure and an entrepreneur’s audacious promises of financial freedom.
Jackie Chan stars as the young warrior Hsu Yiu Fong. Hsu has been entrusted with the book of the “Art of the Snake and Crane,” after the mysterious disappearance of the eight Shaolin Masters who had written it. He must fight off numerous clans who are all attempting to steal the book from him, to find out the true reason for the disappearance of the Shaolin Masters.
The story takes place in LA, in the house of four housemates, three women, MJ, Frankie and Amanda, and an homosexual, Banks. MJ is the kind of girl to whom money means everything and to whom others mean almost nothing. Frankie is a social worker and Amanda, a painter. Banks is an unfortunate actor. The problem is that Frankie is deeply in love with Taylor, and he loves her back, but he’s sleeping with MJ, for sex. MJ will become more and more jealous of Frankie as days flow…
Josh, a small town carpenter, finds himself at the center of a national media story when his touch brings a twelve year-old boy, who fell into a freezing lake, back to life. Although many consider it a miraculous act, Josh isn’t convinced he has done anything special – even after he seemingly heals several others. Thrust into a whirlwind he never expected, Josh must make a decision that could change his life and the lives of those he cares about most.
For the last thirteen years AJ (Triple H) has been behind bars, convicted of manslaughter for killing a man who intended to kill his best friend, Jack (Michael Rapaport). Now released, AJ wants nothing more than to start a small business and live a crime-free life. Unfortunately, within hours of leaving prison, his oldest and best friend, Jack (Michael Rapaport) involves AJ in an accidental shooting in which a man is killed, forcing Jack to skip town.
A young boy stays with his aunt and uncle, and befriends his cousin who’s the same age. But his cousin begins showing increasing signs of psychotic behavior.
Debbie Taylor is a former 1980s pop star bent on making a comeback and returning to the Billboard charts. As she prepares to once again take the music industry by storm, Debbie’s record label deems her irrelevant and abruptly drops her. Out of money, she leaves the fast lane of New York to move in with her sister in Youngstown, Ohio.
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.