A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.
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Set in the future, South and North Korea agree to set up a unified government. They have prepared for the unification for the past 7 years. Meanwhile, demonstrators, supporting and opposing the unification, become more fierce. A group against the unification commit terrorist acts. A special police force is formed in response.
In the not so distant future, a team of white collar criminals are enlisted by the Federal government to thwart a cyber-attack that threatens to bankrupt the United States of America.
A divorced mother is obsessed with the idea that her ex-husband is plotting to take her baby away from her.
Jill (Brianne Davis), a girl angry about being blind and struggling with her faith, unexpectedly inherits an old mansion from her estranged aunt (Janice Knickrehm, “Halloween 6”). She and her friends go there to check it out. On the way they have a strange encounter with the creepy Hank (Ezra Buzzington, “The Hills Have Eyes”). At the house, unnerving things start happening and Jill starts “seeing” things. Her friends become concerned about her sanity, leaving Jill feeling even more isolated and under the spell of the force in the house. But when Jill disappears, it’s too late for her friends to stop what is already in motion. The ghost that brought Jill to the house and a soldier from the past (C. Thomas Howell) are going to reveal their secret, forcing Jill to face her greatest fears, changing her forever.
Jane McCoy, a recent college graduate, much to her parent’s dismay, decides to scrap her plans for law school to pursue an acting career full-time. Struggling to make ends meet, she meets a confident and persuasive friend who shows her the way to make extra money go-go dancing. What starts as just an “easy money” job, however, rapidly becomes an all-consuming activity that slowly pulls Jane from her acting classes, her relationships with her boyfriend and family, and, most importantly, from her true self.
Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk driver. Now a series of murders that cross jurisdictions force them to work together again. That Austin is now dating Caldwell’s daughter is not helping the relationship at all.
In order to conceal past corruption by the government, the Kyuryu group proceeds on a plan to destroy a street and build a casino. To stop the Kyuryu group, members of SWORD begin to move.
Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.
In order to win the Street Dance Championships, a dance crew is forced to work with ballet dancers from the Royal Dance School in exchange for rehearsal space.