In the Summer of 1965 a young man is filled with the life of the idyllic old pearling port Broome – fishing, hanging out with his mates and his girl. However his mother returns him to the religious mission for further schooling. After being punished for an act of youthful rebellion, he runs away from the mission on a journey that ultimately leads him back home.

An older brother is a washed-up boxer. His younger brother is a genius pianist with physical disability. The brothers make up through their mother who is full of stories of her past.

Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.

Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create — in 21st century L.A.

Clare and Aidan, who after making a pact that they would break up before college, find themselves retracing the steps of their relationship on their last evening as a couple. The epic date leads them to familiar landmarks, unexpected places, and causes them to question whether high school love is meant to last.

An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair’s portly Caucasian brother.

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A crew of men who do the high-wire work of fixing the electrical grid are hit by a sudden deadly storm.

A teenager must battle for a gold charm to keep his family from being controlled by an evil leprechaun.

Set in an alternate universe, in a college called FAERYVILLE, a group of teenage misfits struggle to find themselves and make sense of their ‘purpose’. They decide that there is no reason in trying to fit-in, trying like ‘everybody’ to be ‘somebody’, choosing instead to mock the establishment, as pranksters – calling themselves The Nobodies. Now, what’s their plan? Frankly, they have no idea, until Laer, a transfer student, joins them and takes them on a warpath of self-discovery and no return. Faeryville is a dystopian teen movie, a stylish coming of age film about youth making sense of their idealistic dreams in our increasingly surreal world – a fictional manifestation of very real issues prevalent in the Post 9-11 world.

In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king’s newest mistress. In Vatel, she finds someone who’s authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?

A group of strangers come across a man dying after a car crash who proceeds to tell them about the $350,000 he buried in California. What follows is the madcap adventures of those strangers as each attempts to claim the prize for himself.