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A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
Key figures from an infamous 2004 incident between players and fans at an NBA game in Michigan discuss the fight, its fallout and its lasting legacy.
ZERO DEGREES is a remarkable collaboration between four of today’s most respected artists. Moroccan-Flemish SIDI LARBI CHERKAOUI is well known for his work with Les Ballets C. de la B. while AKRAM KHAN is world renowned for developing his own ‘contemporary Kathak’ style, winning numerous awards. For ZERO DEGREES they bring their unique styles together in this spellbinding piece of dance. Mercury Award winning composer/producer NITIN SAWHNEY adds his own East-meets-West sound with a specially commissioned score played live by four musicians, and Turner Prize winner ANTONY GORMLEY has contributed the staging – two life-size casts of the dancers. ZERO DEGREES explores borders – between countries, cultures and, most importantly, between life and death. It challenges, prompts and inspires, in a seamless fusion of dance styles, music and contemporary art.
When Iran’s ayatollah banned music and performances in the entire country, instruments and records became contraband, and artists were exiled, imprisoned, or executed. As the new government began to crush basic human rights, Maestro Shajarian risked everything to confront the regime, singing truth to power and uniting the country in a chorus of millions strong. His life long pursuit of equality through art is immortalized for generations to come, through his majestic, soaring vocals and lyrics. His internationally renowned hymn, “MORGHE SAHAR”, performed at the finale of all his concerts is widely considered the Unofficial National Anthem for Iranian Freedom.
With his signature circular glasses and mustache, Michael Chow is an exuberant force at the crossroads between eccentricity and sophistication. The famed restaurateur defined “The Moment” with the openings of Mr. Chow, the bustling upscale Chinese eateries that attracted the glitterati of Swingin’ London, 70s Hollywood, and post Studio 54 New York.
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as “The Ladies Who Lunch” from Company and “Civilization” from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
The lives and careers of four Asian-American rappers trying to break into a world that often treats them as outsiders. Sharing dynamic live performance footage and revealing interviews, these artists will make the most skeptical critics into believers.
The story of Tony Blair’s destruction of the Labour Party, his well-remunerated business interests, and the thousands of innocent people who have died following his decision to invade Iraq.
The sports documentary examines India’s biggest match-fixing scandal, the icons caught in its web and the journalists who uncovered the corruption.
Two sets of identical twins switched at birth in Colombia explore their complex history and new identities in this captivating documentary.
An exploration of the making of b-movie sci-fi cult classic “The Creeping Terror” and its con-man director Art “A.J.” Nelson/Vic Savage.