An exploration of the making of b-movie sci-fi cult classic “The Creeping Terror” and its con-man director Art “A.J.” Nelson/Vic Savage.
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The story of communist show-trial victim Milada Horáková. Horáková was one of the first victims of the communist regime in Czechoslovakia. She opposed the communist coup in 1948 but did not leave the country. She was arrested and tried for treason on fabricated charges in a show trial that was broadcast on the radio and shown in film clips. The film focuses on the time from 1945 to 1950 when the communists took over, but also goes back a little further in Horáková’s life into the late 1930s
A ragtag group of former TV stars and comic book artists who make their living working at conventions decide to steal the loot from a crooked promoter and an overbearing former TV icon.
The year is 2XXX and Keiko Town is an over-industrialized stretch of blackened factories pumping out thick layers of smoke that cast it in a perpetual state of semi-darkness. The citizens of Keiko Town fare no better and walk around their dilapidated town in a stupor of hopeless despair. In an abandoned factory in an obscure corner of town lies the secret base of Hikari Club. The teenage boys of Hikari Club despise the adults of their community and have taken it upon themselves to eradicate what they perceive to be the evil and filth of the grown-up world. To accomplish this, they build a machine with artificial intelligence and dub it “Litchi”. However, with the boys on the cusp of puberty and turning into adults themselves, their own world has begun to collapse around them.
The mayor of Oita wants to improve the image of his city, so he instructs Chiaki – a young woman working for the city’s PR department – to form a female tug of war team. Nobuo MIZUTA mixes comedy, drama and a pinch of social criticism to tell a tale of eight women, their everyday struggles and their support for each other.
Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son’s role.
As a North Korean sleeper cell agent, Ryu-han infiltrates the South and assumes the role of a village idiot in a rural town. He observes the townsfolk and waits patiently for his mission. One day, after 2 years of playing the role of the village idiot, fellow elite spies Hae-rang, posed as a rock star and Hae-jin, posed as an ordinary student, are dispatched to the same town as Ryu-han. He helps the other two spies settle in and teach them how to adjust in the South. There is a sudden drastic political power shift in the North and all three spies receive an urgent and ultimate mission.
Teenage Mary Cummings, who has “been Born Again her whole life,” is about to enter her senior year at American Eagle Christian High School near Baltimore with her Fundamentalist Christian friends Hilary Faye and Veronica, the three of whom have formed a girl group called the Christian Jewels. Everything seems perfect—until Mary’s “perfect Christian boyfriend” Dean tells her, as they’re swimming underwater, that he thinks he’s gay.
Set in the 1920s French Riviera, a master magician is commissioned to try and expose a psychic as a fraud.
Mags and Julie Go On A Road Trip is a heartfelt, laugh out loud buddy movie, written and directed by actress Ryann Liebl. This film, in the vein of Bridesmaids mixed with Grumpy Old Men, takes the audience on a journey of what it means to be a woman and balance life.
A down-on-his-luck man discovers that his new apartment is inhabited by a self-absorbed ghost.
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
The story of soldier and poet Siegfried Sassoon (1886–1967), who was decorated for bravery on the Western Front, and is best remembered for his angry and compassionate poems about the First World War, which brought him public and critical acclaim. Avoiding the sentimentality and jingoism of many war poets, Sassoon wrote of the horror and brutality of trench warfare and contemptuously satirised generals, politicians, and churchmen for their incompetence and blind support of the war.