A sweeping overview of humanity’s accomplishments in space, as well as our ongoing activities and future plans.

It is the most anticipated yearly event in Sports Entertainment, an annual pop culture touch point. For more than 25 years, WrestleMania has hosted the biggest matches, the biggest stars, and the biggest celebrities. Now for the first time ever, the story of WrestleMania is told from its early beginnings through the week-long spectacular it has become, routinely drawing fans from all 50 states and around the world. This documentary feature includes new and insightful interviews from the superstars and creative forces behind the event.

The Endless Summer, by Bruce Brown, is one of the first and most influential surf movies of all times. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which back in 1965 was off-season for surfing) in search of the perfect wave and an endless summer.

Between 2007 and 2011, 725 Quebecers aged 16 to 24 were killed in car accidents. Excessive speed and alcohol were involved in half of these deaths. To try to understand what is going on in these young drivers’ heads when they get behind the wheel, host and documentary filmmaker Paul Arcand met with some of them. On one hand, he gives a voice to these young people who love driving fast. On the other hand, he provides a forum for two accident victims who were injured both physically and psychologically. Finally, the director meets the mother of little Bianca Leduc, who was killed by a drunk driver while she was in the care of her babysitter, and the parents of Michael Borduas, 23, who is severely disabled from an accident.

The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.

Directed by acclaimed filmmaker Martin Scorsese and his longtime documentary collaborator David Tedeschi, A 50 Year Argument rides the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices. Confrontation and original argument are in the Review’s DNA – the magazine seems as vital now as when it was run by its indefatigable founding editors, Robert Silvers and the late Barbara Epstein. Co-produced with the BBC’s award-winning Arena and shaped by Scorcese’s vivid filmmaking style, The Fifty Year Argument captures the power of ideas in influencing history.

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners’ hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

This documentary feature pulls back the curtain on the world of ‘working class’ rappers. The film spotlights independent artists struggling to find a balance between making a living and pursuing their art alongside the never-ending saga of age and relevance. Weaved together through a series of 30 plus interviews that are devoid of the ego so common in the business of music, especially hip-hop, the film traverses the country (USA) to explore the myths and misconceptions of life as a full-time rapper.

Starting as a passion project, this movie launched the team on an unexpected journey; from discovering the historic past in Ralph Baer’s personal workshop, to capturing the present as the Smithsonian Museum recognizes gaming as art. Along the way, the crew encountered an interesting cast of characters including game developers, high score players, and arcade enthusiasts.

Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.

Circumcision is the most common surgery in America, yet America is the only industrialized country in the world to routinely practice non-religious infant circumcision. Why does America continue to cut the genitals of it’s newborn baby males when the rest of the world does not?

In Drew Xanthopoulos’ intimate and cinematic documentary, we meet Joe, a patriarch whose affliction is so all-encompassing that he’s indifferent to his long-suffering wife; and twin brothers Sam and Nathan, musicians who are no longer able to breathe outside of their real-life sterile “plastic bubble,” and whose mother, Karen, developed her illness when she was only 17. These characters all suffer from debilitating sensitivities to their environment. Whether from ambient chemicals, genetics, electricity, or even psychogenic reasons, the cause is not clear, but the reality of the effects on these individuals is undeniable. Fortunately, Susie Molloy, a quiet firebrand who is chemically sensitive herself, seeks to help. In her, those afflicted by this modern malady have found an advocate whose mission is to de-stigmatize this community, and in telling their stories, Xanthopoulos has crafted a film itself as deeply sensitive as its title suggests. Cara Cusumano