A filmmaker is granted unprecedented access to a political candidate and his family as he runs for President.
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Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.
The Minions, having been accidently dropped off at the North Pole, make the most of the situation by trying to become elves.
Ten young people from all over the world meet in Rome with Pope Francis, with the aim of talking and conveying to him the main concerns of their generation. What awaits them is an unprecedented meeting, a face-to-face conversation…
In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. Poitras is a great and brave filmmaker, but she is also a masterful storyteller: she compresses the many days of questioning, waiting, confirming, watching the world’s reaction and agonizing over the next move, into both a great character study of Snowden and a narrative that will leave you on the edge of your seat as it inexorably moves toward its conclusion.
A semi-documentary dramatization of five weeks in the life of Vice Admiral William F. “Bull” Halsey, Jr., from his assignment to command the U.S. naval operations in the South Pacific to the Allied victory at Guadalcanal.
An inside glimpse at the fairy tale wedding of John F. Kennedy Jr. and Carolyn Bessette in 1996, including never-before-seen footage from the private event.
Tommy has just joined the cast of the top-rated kids’ show, “Captain Mike’s Mystery Monsters,” and is anxious to find out just how the special effects crew gets the monsters to work. Imagine his surprise when he discovers they’re not special effects at all! Adding to the situation, the monsters’ original owner, evil Queen Mara, has returned to Earth to reclaim her property and take revenge on Captain Mike for stealing them.
Dorothy wakes up in post-tornado Kansas, only to be whisked back to Oz to try to save her old friends the Scarecrow, the Lion, the Tin Man and Glinda from a devious new villain, the Jester. Wiser the owl, Marshal Mallow, China Princess and Tugg the tugboat join Dorothy on her latest magical journey through the colorful landscape of Oz to restore order and happiness to Emerald City.
A portrait of the writer and poet Steven J. Bernstein (aka Jesse Bernstein), one of Seattle’s most celebrated and troubled voices. His angry, surprisingly fresh, lyrical writings are about sensitive souls, drifters and drug addicts, people alienated by a society that refuses to understand them. Bernstein was an integral part of the legendary Seattle rock scene of the late 80’s and early 90s, and in 1991 was dubbed the ‘Godfather of Grunge.’
The Journey of Aeneas after the Trojan War. Based on the epic poems of the Aeneid by Publius Vergilius Maro.
The thirteenth film overall for the long-running series and the fourth movie in the Diamond and Pearl story arc, it includes an upcoming creature from Pokémon Black & White, named Zoroark, as the main character (as well as its pre-evolved form, Zorua). In the movie, Celebi travels to the past to prevent a battle between Raikou, Entei, and Suicune after seeing the future battle in a vision. Meanwhile, Ash, Brock and Dawn make it to Crown City to attend the annual Pokémon Baccer World Cup where they have an encounter with Zorua, who has lost his companion. The town is then attacked by the Legendary Pokémon Raikou, Entei, and Suicune… who are revealed to actually be Zoroark. It is then up to Celebi to appear from the future and help the trio stop the rampaging Pokémon.
Odette Springer is working in the B movie industry as a singer/composer, hating it but needing the work. She begins making this documentary about the low budget sex and slasher flicks and the people who work on them. Along the way, she meets unrepentantly boorish producers, directors arguing the legitimacy of what they’re doing and numerous actresses who feel trapped, with no other way to succeed in Hollywood. The project is eye-opening to the viewer…and to Odette herself.