James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.

The history of the East Lake Meadows public housing project in Atlanta and the people who lived there from 1970 to its demolition in 2000, with special emphasis on the activism of Eva Davis asserting the rights of the tenants.

After many rumors of an MLS team arriving in Philadelphia never materializing, a small group of soccer fans took matters into their own hands and started a supporters group called the Sons of Ben to help bring a team to their hometown. They were a group without a team to root for and had a modest goal of reaching 100 members by the end of the year. Little did they know they would reach over 1,500 members in less time than that and start a movement that would not only change the soccer landscape in Philadelphia forever, but also help revive a community that had been struggling for decades.

Hollywood collides with a group of veterans who are tired of the typical PTSD and valor-portrayed movies and decide to make an original dark humor zombie apocalypse film all on their own.

The grim woes that surrounded famed director Peter Bogdanovich and his film, “They All Laughed.”

A special celebrating the origins and legacy of Star Wars’ legendary bounty hunter, Boba Fett.

Bad Seed is the tale of a tiny little seed that some see as good and others believe is evil. Cannabis and hemp can drastically improve the quality of life of people suffering from a wide range of symptoms and illnesses yet people are denied relief due to marijuana’s bad reputation. Is cannabis a bad seed? Or have it’s extraordinary health benefits been unjustly suppressed by government, law enforcement and corporate manipulation? Following the story of a medical marijuana user and activist, filmmaker Shayne Metcalfe delves into the history of cannabis prohibition in Canada, the United States and Mexico over the past century. Incorporating the perspectives of law enforcement, doctors, lawyers, activists, commercial growers, medical patients, historians and entrepreneurs, Bad Seed tells the fascinating story of how one of nature’s gifts came to be vilified and provides an intriguing look at the rapidly changing marijuana landscape.

Alexandra came to help her mother, a newspaper sales woman, in a kiosk located in a wealthy area of Paris. From the discovery of the job to the intimacy built with the customers, the film deals playfully and generously with a number of issues, not least the media’s publishing crisis. A whole world enters this little space.

On-ice enforcers struggle to rise through the professional ranks of the world’s most prestigious hockey league, only to be confronted with a new found fight for the existence of the role itself.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

His name might not be very familiar, but the works of graphic artist Milton Glaser — whose prolific output includes the “I Love NY” ad campaign, as well as album covers for Townes Van Zandt and Nina Simone — are recognizable to many. Revisiting the famed paintings, drawings, logos, prints, posters and other works by Glaser, filmmaker Wendy Keys creates a rich and engaging mosaic of a key figure in American iconography.

Comedian Christina P examines the joys and drags of parenting, partnering and more through a no-nonsense Gen-X lens in this special.