“A loving but socially awkward long term couple wants to spice up their sex life by having a threesome. Now they must battle insecurities, social taboos and the dreaded internet to find…The Third Person!”
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The love story of a young man and the singing, suicidal femme fatale who leads him on a topsy-turvy search for his long lost-evil brother. As he gets closer to finding the truth he must decide who to trust and what to believe.
It follows an estranged mother and her daughter as they get caught in a snowstorm on Christmas Eve and are forced to take refuge inside a church. They meet a handsome pastor and a music teacher who motivate them to reconnect.
Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.
For decades, next-door neighbors and former friends John and Max have feuded, trading insults and wicked pranks. When an attractive widow moves in nearby, their bad blood erupts into a high-stakes rivalry full of naughty jokes and adolescent hijinks. Will this love triangle destroy the two old grumps? Or will the geriatric odd couple overcome their differences and rediscover their friendship?
An Oscar-winning writer in a slump leaves Hollywood to teach screenwriting at a college on the East Coast, where he falls for a single mom taking classes there.
Bound by their all-consuming desire, a young circus tightrope walker and a lieutenant forsake everything to be together and escape to the countryside—only to see their lovers’ idyll gradually give way to poverty and desperation.
An American gets a ticket for an audience participation game in London, then gets involved in a case of mistaken identity. As an international plot unravels around him, he thinks it’s all part of the act.
Hiyori (Kei Tanaka) is an ornithologist (expert on birds). His wife is Rinko (Miki Nakatani). She is the leader the minority opposition party. One morning, Hiyori is about to travel to an isolated island to watch birds on a 10 day trip. Before he leaves, Rinko asks him if she becomes the prime minister would he be inconvenienced. Hiyori then goes on his bird watching trip. During this time, he is completely isolated from the outside world. When he returns home, his wife Rinko is now the prime minister of the country. She is also the first ever female prime minister of Japan. Suddenly, Hiyori is now the first gentleman of the country. He decides to support his wife, but he finds himself caught up in unexpected circumstances.
“Dying is easy. Comedy is hard.” Familiar words for any comic, but for Jason Barnes, comedy provides a brief oasis in a world of confusion, uncertainty and personal turmoil. Wits End follows Jason as he works rooms large and small throughout the country, building a reputation as an up-and-comer in the world of standup. All the while, his off stage struggles to make sense of the world around him threaten to send him over the edge of both a personal and professional breakdown. Honest, bittersweet and often hilarious, Wits End takes audiences on a journey of comedy, sadness and learning to find life no matter where you are along the road.
A group of Finnish and British people get stuck to a cabin when a creature which is a half human, half rabbit, attacks on them. The creature is Bunny the Killer Thing, and it is after anything that is resembling female genitals.
