On July 13, 2002, Fatboy Slim, real name Norman Cook, performed the second of his free open-air concerts, The Big Beach Boutique II, in front of a record-breaking crowd, making history – both good and bad. Organisers and police were expecting forty thousand people but more than a quarter of a million turned up on Brighton Beach for the free event, changing the way UK events were run forever. Now, 20 years on, Norman, and those who were on the front line of this seismic historical moment talk us through the process and the obstacles; The immense difficulties and struggles that the local police faced with such an unexpected amount of descendants on the city, the councillors and residents that opposed the controversial event and many of those who participated in what Norman has described as a “Woodstock moment”.
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The band stormed Europe in 1963, and, in 1964, they conquered America. Their groundbreaking world tours changed global youth culture forever and, arguably, invented mass entertainment as we know it today. All the while, the group were composing and recording a series of extraordinarily successful singles and albums. However the relentless pressure of such unprecedented fame, that in 1966 became uncontrollable turmoil, led to the decision to stop touring. In the ensuing years The Beatles were then free to focus on a series of albums that changed the face of recorded music.
Daley Thompson is taken from the streets of his boyhood in Notting Hill to Olympia, the site of the Ancient Games where his iconic event began, an epic journey told from around the world: with Seb Coe at the 2023 World Championships in Hungary; with former nemesis and now friend Jurgen Hingsen at the Coliseum in Los Angeles, the setting for their titanic battle in 1984, where Daley’s irresistible will to win snatched victory from the German world record holder and firm favourite; and with Caitlyn Jenner, the legendary American decathlete, who Daley watched in awe, when, as Bruce, he set a new benchmark for the decathlon at the Montreal Games.
Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.
Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?
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The story of Simon Fitzmaurice, a young filmmaker who becomes completely paralyzed from motor neuron disease but goes on to direct an award-winning feature film through the use of his eyes.
German American artist Eva Hesse (1936 – 1970) created her innovative art in latex and fiberglass in the whirling aesthetic vortex of 1960s New York. Her flowing forms were in part a reaction to the rigid structures of then-popular minimalism, a male-dominated movement. Hesse’s complicated personal life encompassed not only a chaotic 1930s Germany, but also illness and the immigrant culture of New York in the 1940s. One of the twentieth century’s most intriguing artists, she finally receives her due in this film, an emotionally gripping journey with a gifted woman of great courage.
The memory of a particular moment in early 20th century history when, in 1913, Helen Keller (1880-1968), a deaf-blind writer, lecturer and political activist, spoke, for the first time and in public, about socialism and progressive causes.
How do you make one of the world’s most revered fashion brands your own? A look at the life and work of Gucci fashion designer, Frida Giannini. Taking advantage of rare, behind-the-scenes access, director Christina Voros shows how the Florentine trendsetter has been re-imagined in the past few years.
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