Based on the true story of Ruth Ellis, the last woman hanged in Britain, Mike Newell’s Dance With a Stranger (1985) concentrates on Ellis’s (Richardson) short-lived relationship with motor-racing driver David Blakely (Rupert Everett).

In Extase’ (‘In Ecstacy’) takes you on a journey through the fascinating world of Dance music. House, Techno, Hardcore, Trance, from the underground scene in a squatter’s village to the immense Amsterdam Arena filled with 40,000 people all dressed in white, you’ll get the ultimate insider’s experience.

Filmmaker Kip Andersen uncovers the secret to preventing and even reversing chronic diseases, and he investigates why the nation’s leading health organizations doesn’t want people to know about it.

In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.

Retrospective documentary about the making of the horror cult classic “The Return of the Living Dead.”

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith’s great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith’s paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith’s work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith’s buried life, return the work to Provincetown and have Edith’s contributions recognized by the larger art world.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.

It’s the movie that retraces the Laura’s life in a wholly original way. Through never-seen-before footage of her real and fictional life, the artist shows us her essence, giving an honest and bold analysis of her life and how it could have been without that victory at Sanremo that, in 1993, changed her destiny forever.

Country songwriter Luke Dick spent his toddler years living in the Red Dog, the rowdiest and most popular strip club in Oklahoma City. Now 30 years later, Luke has a toddler and a newborn of his own. As he began asking his mom questions about his own childhood, she turned out to be more hilariously forthcoming than he ever imagined.

An ecological drama/documentary, filmed throughout the globe. Part thriller, part meditation on the vanishing wonders of the sub-aquatic world.

Pro-intelligent design scholars and scientists are often chastised, fired or denied tenured positions by those who believe in Darwin’s theory of evolution.

A teenage Quebecer in the 1960s evolves from pro-independence activist to radical terrorist, in this gripping chronicle of the origins of the FLQ in the decade preceding the 1970 October Crisis.