Betriek lives at the edge of a peat bog in the North of the Netherlands. When she and her family are attacked by a random stranger one night, Betriek sets out to find an explanation. The more she digs, the more she becomes convinced that she is being hunted by something ancient.

A malevolent being known as The Jester terrorizes the inhabitants of a small town on Halloween night, including two estranged sisters who must come together to find a way to defeat this evil entity.

Japanese schoolgirl Sakura (Higarino) has her idyllic small-town life turned inside-out when the local males start savagely killing the females. Armed with only her kyudo bow for protection and an English textbook for comfort, Sakura journeys through an apocalyptic world of mayhem. As trauma from witnessing the violent deaths of friends and family drives her toward madness, Sakura takes refuge in an animated dreamworld where she meets Billy (Mackenzie), a character from her English text! Billy helps her survive murderous zombies, as well as an even more formidable foe in Aoi (Tsujimoto), as she races to find real-world Billy and answers to the questions: Why is all this happening? And who or what is behind it?

In 1967, Peter McKay watched as his father decapitated his sister on Easter morning. Peter never celebrated the holiday again… until now – today – in 1987. In an isolated cabin deep in the woods, Peter and his five friends will fall prey to a killer with a bloody ax to grind. A killer dressed as the Easter Bunny.

Feature length version of the 2013 Turkish short film about police making a horrifying discovery in an apartment building.

A woman named Justine is (willingly) used and abused by all manner of perverts, freaks and sexual deviants.

Charlie and his little brother Simon live a secluded life, feeding off of the land and surviving on their own. The monotony of their lives remains unchanged: day after day, month after month, yet, something keeps them from growing comfortable, from feeling safe. And all too soon, the nightmare brewing beneath the surface of their quiet farm life will erupt. For how can one survive the end of the world and expect their future to be bright? How can one expect there to be a future at all?

The sequel is set just weeks after Annie Barlow’s deadly confrontation with the Judas Killer. In this elevated sequel, we meet June, a woman whose carefully constructed life is beginning to unravel due to lucid nightmares so awful they disturb her waking life

A young woman doctor discovers something sinister going on in her hospital. Relatively healthy patients are having ‘complications’ during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye.

Poor Gregory, after being released from the Wishing Well Sanatorium, all he wants to do is make the children happy. So Gregory reopens the old ice cream factory, and all the unappreciative brats are reprocessed into the flavor of the day.

In NATO-occupied Kosovo, a little girl writes an essay for the United Nations about her father who has gone missing. Meanwhile, the girl’s grandfather becomes increasingly paranoid of the unseen threats that lurk in the dark.

A taut reinvention of vampire lore, Shadowland opens in modern day North America, where construction workers uncover an old stone cross and what appears to be a wooden stake. They remove the stake from the ground, allowing Laura (Caitlin McIntosh), a slumbering vampire, to revive and rise from the earth. Beaten and weak, Laura is unable to speak, remember who she is, or even the fact that she is a vampire! As Laura attempts to make sense of the strange new world around her, she begins to remember not only an idyllic human life in 1897 but the handsome Lazarus (Carlos Antonio León), a mysterious lover who may not have had her best interests in mind. Soon Julian (Jason Contini), a world-weary vampire hunter employed by the church, begins tracking Laura, but as he closes in for the kill he learns that things are not what they seem.