Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone – until she discovers music. Everything changes when she hears a performance of Mozart’s ‘Requiem’ at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves to be a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity.
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Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
On the eve of her 16th birthday, Allison Riley (Sophie Bolen) disappears. When the police refuse their requests, her parents, Joanna (Kristy Swanson) and Case (Mark Boyd), reluctantly hire John Belton (Dean Cain), a private investigator with a reputation for questionable procedures and a dark past. Quickly, Belton realizes that Allison was coerced by a young handsome boy she met on social media and had been trafficked, and they are on a race against time to get her back.
Luke’s exultance at being selected for The Skulls (a secret society bred within the walls of a prominent Ivy League Campus) is soon overshadowed when he realises that all is ‘not well in Wonderland’. For The Skulls is a breeding ground for the future powerful and elite. It’s not only a far cry from his working class background, but it also hallows its own deep and dark secrets.
This sharp-witted dramedy studies a middle-aged NYC theatre actress suddenly forced to figure out the kind of person she wants to portray in real life when her marriage comes to an end after she catches her husband cheating.
The 19 years old Thomas wakes up in a hospital after three years in a coma. He doesn’t remember anything. The psychologist Anna tells him that his family has been murdered and that he is the only survivor of the massacre while his sister Laura is still missing.
Key of Brown a thriller, action, drama, tells the story of one harrowing night in the life of “Bernadette Lawson” a retiring call girl, recently released from prison and serving out the remainder of her sentence on monitored house arrest. In need of cash, she can’t resist doing a, quick, one hour, five hundred dollar favor for her ex-madam but the night turns deadly when the client turns out to be a notorious serial killer of prostitutes, wanted by the F.B.I. and transporting a kilo of high quality brown heroin.
Eddy and Stuart share two-thirds of a dormitory suite. Due to bureaucratic error, a woman named Alex is added to their room. At first, relations among the three are tense. Soon, however, Alex falls for Eddy, and Stuart lusts after Alex.
At the dawn of World War 2, a Rabbi’s daughter and a disenchanted German soldier fall in love and are separated by the war. They struggle on a perilous journey to find one another.
An African-American model on a film shoot in Ghana is transported into the body of a slave on a Southern plantation.
Cree matriarch Aline Spears survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse. She uses her uncanny ability to understand and translate codes into working for a special division of the Canadian Air Force as a Cree code talker in World War II. The story unfolds over 100 years with a cumulative force that propels us into the future.
