For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas’ troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.
You May Also Like
When a meddlesome mother enrolls in university with her son, old and new worlds collide with awesome consequences.
Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.
Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.
A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.
Abby is a sought after massage therapist and a free spirit, while her brother Paul thrives on routine, running a failing dental practice with his assistant and daughter Jenny. Suddenly, Abby develops an aversion to bodily contact, which not only makes her unable to do her job, but also severely affects her relationship with her boyfriend. As Abby navigates her way through an identity crisis, her brother’s dental practice receives new life when clients seek out his “healing touch.”
Miller lives alone in an abandoned Alabama slaughterhouse. His memory and sanity are shattered and his only company is the spirit of his lover, who was murdered a decade ago. Ruth arrives, desperate to discover the truth about her mother’s death. She stays with Miller for three nights. Together they piece together the fragments of his memory, but they are horrified at what they uncover.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
The Great Depression hits home for nine year old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee Abigail Breslin stars as Kit, leading a splendid cast in the first ever “American Girl” theatrical movie. In order to keep their home, Kit and her mother must take in boarders – paying house – guests who turn out to be full of fascinating stories. When mother’s lockbox containing all their money is stolen, Kit’s new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real story get her and friends into big trouble. The police say the robbery was an inside job, committed by someone they know. So if it wasn’t Will, then who did it.
Vic and Melinda Van Allen are a couple in the small town of Little Wesley. Their loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family.
Although strangers Sara and Jonathan are both already in relationships, they realize they have genuine chemistry after a chance encounter – but part company soon after. Years later, they each yearn to reunite, despite being destined for the altar. But to give true love a chance, they have to find one another again.
