A private investigator is forced into a dangerous alliance with a killer in order to uncover a quiet town’s grisly criminal underbelly and clear the name of her mentor, who is implicated in the crimes.
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When a high school senior discovers her teacher is seducing her boyfriend, events turn deadly after the teacher tries to cover it up.
Two ‘mopes’ – the lowest-level male performers in the porn industry – set their sights on an impossible dream: stardom.
Treachery centers on a man (Biehn) who is reunited with his estranged son at a remote wedding party. When a storm strands the party, ugly truths are revealed.
Adopted at birth and raised in Louisiana, David Scotton is on a journey to Indiana to meet the birth parents he’s never known. His tattooed birth mother, Melissa, and reserved birth father, Brian, anxiously wait for him, concerned David will reject them for decisions they made before he was born. I Lived on Parker Ave. is a short documentary about a mother’s agony in choosing what’s best, the joy of a couple starting a family, and young man’s search for where his life began.
Lou Andreas Sand, a once famous model, recalls her past as she tries to make success in the modeling world of New York, her stressfull workdays, her affair with Mark, an advertising executive, her friendship with photographer Aaron, and her downward spiral into ruin.
With his last breath Uu’s friend entrusts him with the secret of how to go to the past. Uu is an engineer and doesn’t believe in miracles, but the trick works. In the past there is a pleasant, eternal summer, long hair, girls and Jenkki chewing gum. In his real life, it is autumn, his friends are bitter, the girls are married and his father is seriously ill. At the end of the day, however, Uu has to decide in which time to live his life – in the summer of the past or in the autumn of the present.
It’s a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.
A blackmailer threatens to expose secrets about an unsolved murder in Doulac.
Al Stanco has lived all of his life in Brooklyn and does some work for the local crime lord, Danny Parente. New to the neighbourhood is Gabriela, a filmmaker shooting a documentary on the real Brooklyn. Al and Gabriela become friendly but the relationship is strained when he discovers her true goal is to expose Parente’s criminal activities. When Al sees the evidence Gabriela has uncovered, which implicates Parente in the death of many locals (including Al’s own father), he seeks revenge in a dangerous confrontation with his boss.
Borgman is the central character of this dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.
