Lou Andreas Sand, a once famous model, recalls her past as she tries to make success in the modeling world of New York, her stressfull workdays, her affair with Mark, an advertising executive, her friendship with photographer Aaron, and her downward spiral into ruin.
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The story of a young man who must confront his own fears about love as well as his relationships with family and friends.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Four friends visit a rural locality of Chile, are brutally attacked by a man and his son. After not finding help in the town, they decide to confront these men with the help of a pair of policemen. But in this way, they will discover that their attackers have in their blood the direct legacy of the darkest period of Chilean history and will have to face the most brutal enemy.
A mother helps her daughter work through four crucial days of recovery from substance abuse.
Inspired by the dramatic true story of the Cocaine Cowgirls, Sugar follows two young Canadian women who get caught up in a major drug smuggling operation aboard a luxury cruise ship sailing around the world. With nowhere to run—the walls close in on them.
Christmas for Miranda (Krakow) is a painful reminder of the family she never had. Her mother died when she was young, never revealing the identity of her father. But, three days before Christmas, she unexpectedly receives a clue as to the whereabouts that takes her to a beautiful New England town where she meets Ian (Matter), a young man who helps with her search. As the clues lead to her father’s identity and Miranda discovers the possibility of love in Ian, and she learns that her father lived in the small town and now she knows his family (her brother and her biological father’s wife). She faces a terrible decision… Should she share the truth and risk losing the family she has just found, or leave and keep the secret forever? This Christmas promises to be life-changing for Miranda with a new chance at life and love.
During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel’s haunted past begin to experience disturbing events as old guests check in for a stay.
Four friends from a sleepy little village in Punjab share a common dream: to go to England. Their problem is that they have neither the visa nor the ticket. A soldier alights from a train one day, and their lives change. He gives them a soldier’s promise: He will take them to the land of their dreams. What follows is a hilarious and heartwarming tale of a perilous journey through the desert and the sea, but most crucially through the hinterlands of their mind.
Risking his life, Luke ventures to Rome to visit Paul — the apostle who’s bound in chains and held captive in Nero’s darkest and bleakest prison cell. Haunted by the shadows of his past misdeeds, Paul wonders if he’s been forgotten as he awaits his grisly execution. Before Paul’s death, Luke resolves to write another book that details the birth of what will come to be known as the church.
