Nadia keeps dying and reliving her 36th birthday party. She’s trapped in a surreal time loop — and staring down the barrel of her own mortality.

The trials and tribulations of a two man, digi-folk band who have moved from New Zealand to New York in the hope of forging a successful music career. So far they’ve managed to find a manager (whose “other” job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) — but not much else.

Detective Catherine Chandler is a smart, no-nonsense homicide detective. When she was a teenager, she witnessed the murder of her mother at the hands of two gunmen and herself was saved by someone – or something. Years have passed and while investigating a murder, Catherine discovers a clue that leads her to Vincent Keller, who was reportedly killed in 2002. Catherine learns that Vincent is actually still alive and that it was he who saved her many years before. For mysterious reasons that have forced him to live outside of traditional society, Vincent has been in hiding for the past 10 years to guard his secret – when he is enraged, he becomes a terrifying beast, unable to control his super-strength and heightened senses.

What starts as a YouTube video going viral, soon leads to problems for the teenagers of Lakewood and serves as the catalyst for a murder that opens up a window to the town’s troubled past. Everyone has secrets. Everyone tells lies. Everyone is fair game.

After two hapless TV technicians stumble upon a murder scene, every step they take to avoid becoming suspects lands them in deeper trouble.

Summer Heights High is an Australian television mockumentary series written by and starring Chris Lilley. It is a parody of high-school life epitomised by its three protagonists: effeminate and megalomaniacal “Director of Performing Arts” Mr G; self-absorbed, privileged teenager Ja’mie King; and disobedient, vulgar Tongan student Jonah Takalua. All played by Lilley, the characters never interact. It lampoons Australian high school life and many aspects of the human condition and is filmed in a documentary style, with non-actors playing supporting characters.

Following a similar format to Lilley’s previous series, We Can Be Heroes: Finding The Australian of the Year, Lilley plays multiple characters in the show. Filmed in Melbourne at Brighton Secondary College, the series premiered on 5 September 2007 at 9:30 pm on ABC TV and continued for eight weekly episodes until 24 October 2007. Each episode was also released as a weekly podcast directly after its screening via both the official website and through any RSS podcast client in either WMV or MPEG-4.

Summer Heights High was a massive ratings success for the Australian Broadcasting Corporation, and was met with mostly positive critical reaction. In 2008, the series won a Logie Award for Most Popular Light Entertainment/Comedy Program.

Get hitched or call it quits? Couples put their love to the test — while shacking up with other potential matches — in a provocative reality series.

Jeff, aka Mr. Pickles, is an icon of children’s TV. But when his family begins to implode, Jeff finds no fairy tale or fable or puppet will guide him through this crisis, which advances faster than his means to cope. The result: a kind man in a cruel world faces a slow leak of sanity as hilarious as it is heartbreaking.

After returning from abroad after a break-up with his long-term partner, Justin plans to connect with his teenage daughter he gave up for adoption. His plans to make new memories with his daughter at the family cottage go awry when he discovers his parents left it to his picture-perfect step-sister, Maisy-May.

As a psychic, Maggie regularly sees the future of her friends, parents, clients and random strangers on the street, but when she suddenly sees a glimpse of her own future, she is forced to start living in her own present.

A man struggling with his faith is haunted by the sins of his past but is suddenly thrust into the role of defending humanity from the gathering forces of darkness.

In 2033, people who are near death can be “uploaded” into virtual reality hotels run by 6 tech firms. Cash-strapped Nora lives in Brooklyn and works customer service for the luxurious “Lakeview” digital afterlife. When L.A. party-boy/coder Nathan’s self-driving car crashes, his high-maintenance girlfriend uploads him permanently into Nora’s VR world.