A group of local animal control workers’ lives are complicated by the fact that animals are simple, but humans are not. Leading the crew is Frank, an opinionated, eccentric animal control officer who may not have gone to college but is still the most well-read person in the room. In his past life as a cop, Frank tried to expose corruption in his department, but his efforts got him fired, leaving him cynical and curmudgeonly. Despite his rough exterior, he is blessed with an almost superhuman ability to understand animals.
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Samantha and Jay throw caution to the wind when they convert their recently inherited country estate into a bed-and-breakfast. Call it mislaid plans. Not only is the place falling apart, but it’s also inhabited by spirits of previous residents — whom only Samantha can see and hear.
Years after he turned his back on his hometown, a burned-out major league ballplayer returns to teach phys ed at his old middle school.
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Adventure Time is an American animated television series created by Pendleton Ward for Cartoon Network. The series follows the adventures of Finn, a human boy, and his best friend and adoptive brother Jake, a dog with magical powers to change shape and grow and shrink at will. Finn and Jake live in the post-apocalyptic Land of Ooo. Along the way, they interact with the other main characters of the show: Princess Bubblegum, The Ice King, and Marceline the Vampire Queen.
After months in recovery for an eating disorder, 16-year-old Mia devises a bucket list of quintessential teen experiences to make up for lost time.
Wakana Gojo is a high school boy who wants to become a kashirashi–a master craftsman who makes traditional Japanese Hina dolls. Though he’s gung-ho about the craft, he knows nothing about the latest trends, and has a hard time fitting in with his class. The popular kids–especially one girl, Marin Kitagawa–seem like they live in a completely different world. That all changes one day, when she shares an unexpected secret with him, and their completely different worlds collide.
Dodger follows the exploits of the infamous pickpocket, The Artful Dodger, and Fagin’s gang as they find ingenious ways to survive the grim and exploitative conditions of early Victorian London in the 1830s.
Mila is 16 years old and living the adventure of her life traveling through the multiverse in search of her mother, Elis. As she travels, she will come face to face with The Operators, a mysterious and dangerous group that wants to exterminate all universes. She will have to face them in order to save the vast multiverse.
A fun and honest portrayal of two radically different female detectives in their early 40s following Guns and Gangs detective Sam and Narcotics detective Kelly, who by day are true action heroes in their own particular way: skilled, tough, determined, and ruthless. But by night, they’re both grappling with loneliness, dysfunctional families, screwed-up love lives, and a sense that their professional ambitions may not be totally in line with their personal needs.
Aboard the mega cruise ship Sacramentum, 20-year-old new recruit, Jamie, infiltrates the 3000-strong crew in a desperate race to find his missing sister. She was working aboard the same vessel on a previous tour and vanished mid-charter.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
