Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.

Denise, a botanist, is working in the swamps in a part of Turkey, planting and researching local flora. In her evenings she sometimes meets with her lover Hamit, a simple man at first glance. But he is making his living with human trafficking which he keeps a secret from Denise. When Hamit learns that Denise is being sent back to her home country soon, one final trafficking job takes a dark outcome.

From abject poverty to becoming a ten-time boxing world champion, congressman, and international icon, Manny Pacquiao is the true definition of a Cinderella story. In the Philippines, he first entered the ring as a sixteen-year-old weighing ninety-eight pounds with the goal of earning money to feed his family. Now, almost twenty years later, when he fights, the country of 100 million people comes to a complete standstill to watch. Regarded for his ability to bring people together, Pacquiao entered the political arena in 2010. As history’s first boxing congressman, Pacquiao now fights for his people both inside and outside of the ring. Now at the height of his career, he is faced with maneuvering an unscrupulous sport while maintaining his political duties. The question now is, what bridge is too far for Manny Pacquiao to cross?

Sacha is a real seducer, a man with no ties or emotional or professional. Charlotte is a modern and independent woman, but barely has time to care for their three children. While Sacha and Charlotte are, at first glance, two incompatible beings, when they meet soon discover that they are quite complementary and need each other.

Three first-time filmmakers, Justin, Dana and John set out to make a documentary about the hardships of inner-city life. Justin follows two NYPD officers while Dana and John focus on Thomas (a black youth poised to move up from his hardships). Stories merge, relationships corrode and the filmmakers become participants in the underground world they set out to document.

There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

Sundance-and-Emmy-Award-winning filmmaker Judy Irving (with her first film since the widely acclaimed and loved “The Wild Parrots of Telegraph Hill”) follows a wayward California brown pelican from her “arrest” on the Golden Gate Bridge into care at a wildlife rehabilitation facility, and from there explores pelicans’ nesting grounds, Pacific coast migration, and survival challenges of these ancient birds, sometimes referred to as the flying dinosaurs. The film is about wildness, and asks the following questions: how close can we get to a wild animal without taming or harming it? Why do we need wildness in our lives, and how can we protect it? PELICAN DREAMS, stars “Gigi” (for Golden Gate) and Morro (a backyard pelican with an injured wing).

In an extraordinary and tragic American story, a small town murder becomes one of the highest profile cases of all time. From its historic role as the first televised trial to the many books and movies made about it, the film looks at the media’s enduring impact on the case.

Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.

On Skeet’s twelfth birthday his older brother Randy buys him his first surfboard. Suddenly his summer turns to the endless search for the perfect wave, wild times and beach parties and eventually, finding his own daring adventures when Randy’s attention turns to a girl. Beyond his wildest dreams, Skeet is taken under the wings of surfing legend Jim Wesley who gives Skeet first-hand lessons in hot-dogging. Meanwhile, Randy, still dealing with the loss of his father and trying to fill his shoes, is jealous of Jim’s influence on Skeet and isn’t thrilled when Jim begins a relationship with their single mom. Tangled by the conflict between his brother and his newfound father figure, Skeet retreats to his room while longing to surf.

Làn fhìrinn na sgeòil. The truth is in the story. When a young man, Angus, visits his dying Grandfather in hospital he cannot hold back his boyhood quest for the truth – the truth behind the death of his parents and the truth behind his Grandfather’s ancient, incredible, fearful stories. Stories from the whole swathe of Gaelic history of poisoned lovers, bloody revenge, water-horses and Spanish gold. His Grandfather hijacks Angus’ life for one last time leading him to one of Scotland’s most treacherous mountains, The Inaccessible Pinnacle on the Isle of Skye, and an ancient truth he never expected to find. Seachd: The Inaccessible Pinnacle is the first Scottish Gaelic feature film.

After country music starlet Tess Stapleton’s album sales keep dropping, her label forces her to record a Christmas album with ex-teen heartthrob and pop-star, Derek Copeland, in an attempt to resurrect each’s career. Reluctantly, Tess agrees. At first, they appear to be polar opposites; clashing over song styles and irritated that they were forced together. However, to their combined surprise, as the album shapes up, they find themselves growing closer over their shared love of music. As they finish the album sparks begin to fly and love blooms just in time for Christmas.

At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa

Monique Marvez stars in her first one hour Stand-up Comedy Special based on the writings from her critically acclaimed book “Not Skinny Not Blonde.” The former San Diego radio host is on a humorous mission to enlighten both men and women about what’s truly important between the sexes. Having been married 3 times herself she considers it sound advice from an expert. Monique has learned from her past and now dates a much younger man, conceding “life is just too dam short.” but don’t call her a cougar, she says, “call me what I am, sore!”

Michael Gavin and his partner Daniel trade the rat race of New York City for the idyllic charm of the Connecticut shoreline, with hopes of a simpler life and time for Michael to finish his first novel. All that changes when one of Michael’s high school students accuses him of ‘inappropriate conduct’, and the town rushes to judgment.

Resonance: Beings of Frequency uncovers for the very first time, the actual mechanisms by which mobile phone technology can cause cancer. A deeper look at how every single one of us is reacting to the largest change in environment this planet has ever seen

Four guys, one camera, and their experience chronicling the exhilarating and terrifying rite of passage: losing your virginity. As these guys help their buddy get laid, they’ll have to survive friends with benefits, Internet hookups, even porn stars during an adventure that proves why you will always remember your first time.

In 1939, a group of African American intellectuals come up with an ingenious and unlikely response to Jim Crow America — leave the planet and populate Mars. Using technology created by George Washington Carver, a three-person crew (plus one rambunctious robot) lift-off in Earth’s first working spaceship on a mission that will take them to a world not unlike present-day America. Their spacey adventure illuminates some hard truths about American culture, and threatens to undermine the time-line of history along the way.

Lana (17) is a girl from an average Zagreb family. She‘s getting ready to spend the night with her boyfriend Igor (25). On their way to the concert they decide to make love in a taxi owned by Igor‘s friend. This should‘ve been Lana‘s first time. Things went wrong when their intimate encounter got interrupted by the noises from another taxi. There was a robbery and attempted murder going on. Lana wanted to stop their love game, but Igor has forced her to continue. Lana ran away from him and met Irena (17) in a nightclub, a troubled girl who‘s been spending the night in search for drugs. A series of circumstances join Lana and Irena together while they wander the city.

Real estate agent John Dante has a problem. He’s stuck with a house he can’t sell. Despite his best efforts, he can’t seem to overcome the house’s past and the macabre tales that precede it in this haunting anthology. In the first story, THE MORNING AFTER, a group of friends wake up from the party of a lifetime to find a nightmare in the form of the worst bug invasion any homeowner has ever seen. Then there’s Freddie Cooper and his band, FREDDIE AND THE GOBLINS; a tale of how Freddie’s band mates try to kick him out and get caught up in the young singer’s growing psychosis. With his hopes of selling the house fading, John is horrified to hear the story of Robbie, a young veteran of the war in Iraq, who returns home to live with his father Brad in FATHER LAND. Something isn’t right, though, as Robbie’s dark secret slowly bubbles to the surface. As the house’s dark past comes to life, John becomes weary and is convinced the house is cursed and unsellable.

The Island of Sodor is always bustling with activity, yet when the engines try to be “Really Useful” they often find themselves in some messy muddles. James tries to prove he’s not afraid of the dark, or too vain to haul smelly fish, but when he pulls the nighttime Kipper Express he gets more than he bargained for. Stephen’s need for speed and Salty’s need to impress sends them both into some sticky, slippery situations. Hiro shows Diesel that nice engines do finish first and Sir Topham Hatt shows you can’t cry over spilled milk – twice. It’s full steam ahead for Spills & Thrills on Sodor. Featuring the episodes: Away from the Sea, The Smelly Kipper, No More Mr Nice Engine, Gone Fishing, Thomas’ Shortcut and The Afternoon Tea Express. On the Australian release, Thomas’ Shortcut is replaced by Jitters and Japes.

Three young adults meet a charismatic stranger at closing time of the bar where they work. They accept an invitation to join a late night gathering he is attending with some friends in a secluded desert house. At first charmed by their interesting hosts, a violent encounter changes the tone of their evening, and the group begins to realize that all may not be as it seems with their new acquaintances. Faced now with a decision to either wait out the morning or plot an escape, they contend not only with the ambiguous true nature of their hosts, but also strange, unknown humanoid creatures roaming the desert who may pose a threat to all involved.

Bem, Bela and Belo arrive at a new town plagued by a series of mysterious, unsolved cases which, as they discover, are caused by another youkai, one more powerful than they have ever encountered. The story will also focus on Belo’s first love, and his increasing desire to become human. In the meantime, Bem and Bela have found a way to become human, but are conflicted about whether to let just Belo turn human, or along with Belo, become humans themselves.

For fixed-gear cyclists, Los Angeles is a city that has it all. From the neon glow of Hollywood to the sun-drenched boardwalk of Venice Beach, fixed-gear has evolved into a vibrant street culture that is uniquely L.A. From director David Rowe (Fast Friday) comes a new documentary feature that explores a side of L.A. few outsiders have seen. From races through rush-hour traffic to midnight loft parties, To Live & Ride in L.A. is a fast paced-trip through the busy streets and back-alleys of one of the world’s largest cities. To Live & Ride in L.A. features talented local riders tearing up the streets with first-time visitor Keo Curry (Fast Friday, Macaframa) – one of the living legends of the sport. Bike to hidden spots off the map, race a midnight alley-cat, keep pace with the riders from Wolfpack, and hang with the local crews, graffiti artists and other L.A. personalities burning up the fixed-gear scene.

Roméo and Juliette are two young actors. They fall in love at first sight, move in together and make a baby. A love story and the founding of a home like millions of others. Except that their little boy, Adam, behaves abnormally. The young parents try hard to persuade themselves that everything is okay but, with the passing of time, they cannot delude themselves anymore : their son has a problem. Their fears are unfortunately confirmed : Adam suffers from a malignant brain tumor. From now on, war is declared. A war against illness. A war against Death. A war against despair.

From Paris in the 1960s to London in the first decade of the third millennium, Madeleine and her daughter Véra flit from one amorous adventure to the next, living for the moment and taking all the opportunities that life offers. But not every love affair is without its consequences, its upsets and its disappointments. As time goes by and gnaws away at one’s deepest feelings, love becomes a harder game to play.

After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.

Family film based on the much loved picture book written by Julia Donaldson and illustrated by Axel Scheffler. ZOG is the story of a keen young dragon who wants to learn how to fly, roar, and breathe fire in his first years at Dragon School. He is desperate to impress his teacher and win a golden star, but he’s accident prone and each year he has to be helped by a kind young girl who patches up his bumps and bruises. Then in Year Four, he has to capture a princess – can the young girl help him with his trickiest challenge yet? A Christmas viewing treat for all the family from four-time Oscar-nominated producers Magic Light Pictures.

First-time directors Andrew Yorke and Kevin Michael invite you on an experimental cinematic journey through the lives of troubled youth in troubling times. When a pregnant women is found dead in a warehouse, all signs point to suicide. But a freelance journalist gets a tip that an eyewitness with a different story is ready to talk. Yorke and Michael immerse viewers into a world beyond normal youthful indiscretion, one that’s dark and safely self-contained until pressures from mainstream society shatter everything. Videotape is a raw, powerful exploration of the darker side of human nature, with crucial questions screaming to be answered.

Lena is a 17-year old girl, experiencing her first love, secret night- time adventures, and magical mornings at the river in Bratislava. Her dream world is shattered after being raped by her math teacher. Lena must set out on a journey that is not simply about coming of age, but a struggle with herself. Others misunderstand her, and will never quite get her. It is Lena who must grow up and realize that she is not the one who deserves punishment and should feel guilty.

A committee investigating TV’s first uncensored network examines a typical day’s programming, which includes shows, commercials, news programs, you name it. What they discover will surely crack you up! This outrageous and irreverent spoof of television launched the careers of some of the greatest comedians of all time.

Don’t Go in the Woods is sound advice, especially when there’s a killer on the loose. First-time director Vincent D’Onofrio (Full Metal Jacket, “Law & Order: Criminal Intent”) explores love, greed and ruthlessness in this twisted musical/horror hybrid, telling the story of a young band who heads to the woods to get away from their everyday lives in order to focus on writing new songs. Hoping to walk away from the trip with new tunes that will score them their big break, they instead find themselves in the middle of a nightmare beyond comprehension.

Fourteen years after the events of the first film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.

On the 30th anniversary of his Florida execution, CONVERSATIONS WITH A KILLER: THE TED BUNDY TAPES brings the infamously twisted mind of serial killer Ted Bundy into the light for the very first time and invades our psyche in a fresh yet terrifying way through exclusive, never-before-heard interviews from the “Jack the Ripper of the United States,” himself.

Six strangers meet in Hong Kong for a three week no-budget film shoot, full of enthusiasm for the project. But as time wears on cracks begin to show as tight schedules, cramped conditions, location problems, personality clashes and the stress of shooting on the fly combine to put strain on the entire cast and crew. And it doesn’t help that nobody’s getting paid. As time passes they struggle to remember why they signed up in the first place, leading to reflections on the value of being a ‘starving artist’ and the limits of artistic integrity – and explosive confrontations that jeopardize the whole project.

Bright days ahead? Caroline has retired, at last. A new life lies before her: time to take care of her children, her husband, and, most of all, herself. However, she soon comes to realize that this new freedom is synonymous with boredom and idleness. Especially when she receives a membership to her neighborhood’s senior club as a birthday present… Reluctant at first, she nevertheless decides to take the plunge. Oddly enough, she meets great people there, starting with the young computer science teacher, who is far from insensitive to her charms. Caroline gradually takes control of her life again and lives a second youth: taking a new lover, living new experiences, breaking the rules, not doing what’s expected of her… Who said that retirement was the beginning of the end and not a new beginning?

Greyhawks Rugby Club is under threat from land developers, and Dave’s position as chairman is being challenged by an extremely loud Australian. The faithful few have gathered on the morning before the election to watch England in the Rugby World Cup Final and tensions are running high for more reasons than one Why does Jake, the first team prodigy, leave the room every time Jonny Wilkinson takes a kick?

Thanks to a recent remarkable discovery in the BBC’s Film Vaults, the best of David Attenborough’s early Zoo Quest adventures can now be seen as never before – in colour – and with it the remarkable story of how this pioneering television series was made. First broadcast in December 1954, Zoo Quest was one of the most popular television series of its time and launched the career of the young David Attenborough as a wildlife presenter. Zoo Quest completely changed how viewers saw the world – revealing wildlife and tribal communities that had never been filmed or even seen before.

Directed by Ian Gabriel, “Four Corners” revolves around a 13-year-old chess whiz drawn into the Cape Town’s well-known child-gang culture. Touted as the first film to delve into the 100-year-old war between South Africa’s so-called Number gangs, the 26 and the 28, it blends the Sabela, Tsotsi-taal and Cape Afrikaans dialects and mixes established talents with non-actors and first-time thesps from schools and communities across the Cape Flats.

FIVE DANCES, written and directed by Alan Brown, is a creatively adventurous narrative feature film set in the New York ‘downtown’ modern dance world. The story follows the rocky emotional journey of an 18-year old dancer (the amazing Ryan Steele) with talent to burn, who must choose between his responsibility to his broken family in the Midwest, and forging a life and career for himself. The film features five of New York’s most gifted dancers acting on film for the very first time, and performing the choreography of internationally acclaimed choreographer Jonah Bokaer.