A building speculator tries in every way to get their clutches on the lands of a pastor. It loses its fortunes playing broom with him .The Commendatore gag, trafficone building Lombard, bursts like an elephant in the quiet of the shepherd Lazio Baldo which would tear the earth, to be speculation. The hostility of the provincial lazy is fought by the invitation to enjoy the hospitality of the suitor and his bourgeois home. This would not be enough, but the ribs of rustic sent you bring Mrs. Greta, wife of the muzzle, and his daughter Paola, a professional student protester. Of course women Baldo receives several favors that little by little the glimpse a new future. The magic moment, however, that transforms the Lazio is given by a game of broom, which Baldo rips at Lombard its fortunes becoming its equal partner.

In 2003, on the eve of the Iraq war, acclaimed director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change through the arts. This is their story. From IRAN, where graffiti and rap have become tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, to PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.

Uses astonishing visuals to tell the intersecting stories of George Mallory, the first man to attempt a summit of Mount Everest, and Conrad Anker, the mountaineer who finds Mallory’s frozen remains 75 years later.

Chronicles a man who is obsessively interested in only one thing, the pictures he takes that document the way people dress. The 80-year-old New York Times photographer has two columns in the paper’s Style section, yet nobody knows who he is.

A sequel to Kwak Kyeong-taek’s “Friend” in 2001, “Friends 2” is about three men who are gangsters based in the background of the year 1963 and 2010.

An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams – sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.

Over time, the people residing on Swampland began to take on new forms, their modified DNA altering their physiology to better suit their new environment. Generations passed and their original forms were forgotten; these humans had evolved into a new race: the Frogmen.If history (and genetics for that matter) shows us anything, it is that there is always variety.The genetic “success” of the Frogmen was also mirrored by the “achievements” of another group of human descent: the Cockroaches, otherwise known as the T-zhu Alliance. The brutal T-Hy poured out into the galaxy seeking new territories, resources, and the data crystals left by the original human explorers. The T-Hy’s material driven hunger broke the peaceful lives of the Frogmen forcing them to take up arms in order to stop the T-Hy’s insatiable ambitions. So began the MALO war.

16-year-old Haruka lost the people she loved the most in a fire. Haruka is also physically and emotionally wounded from the fire, but she still dreams of becoming a pianist. She takes part in an upcoming competition. Inauspicious incidents then occur around her. Musical student Yosuke, who teaches piano to Haruka, tries to solve the case.

Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.

Tatsuya Ichihashi kills a British woman who taught English in Japan. Ichihashi escapes the police dragnet to Aomori, 550 kilometres away. Learning that he is wanted by the law, he cuts his own lips to change his features. Burdened by guilt, he continues to avoid the law enforcement. He travels 1000 kilometres to Shikoku to participate in a pilgrimage in hope of resurrecting his murder victim. Obviously it fails and he remains a fugitive. As if to escape his own guilt he changes his identity and has cosmetic surgery to further alter his features. He works at construction sites and when people get suspicious of him he flees to a far-off island in Okinawa where he relies on survival skills.

A top actress, the daughter-in-law for a wealthy family and an innocent bride to be were once good friends. Someone then threatens to reveal their pasts if they don’t seduce three men. The three men are a photographer, a wealthy man and humorous guy. They have a secret hobby, ordinary people could not understand. By chance, these three men and women meet and they all go on vacation to a paradise like place. But, that is all part of a scheme. Who is behind the scheme?

Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.

Henry and Jack are two famous and talented pianists: they are rivals and try to outdo each other in the various music events where they regularly compete. The former friends will clash with no mercy, from contest to contest until the day a domestic robot, GLENN, enters their lives. GLENN will jeopardize everybody and everything around them.

Butterfly Crush is a modern love story, starring award winning Australian actress Amelia Shankley, and set against the backdrop of the Sydney music industry. The song and dance duo, Butterfly Crush are about to break big, and are up for the Australasian Song Awards, but their chance at success is jeopardized when half of the duo; Eva, gets involved with a Kings Cross cult, the “Dreamguides”, deep into astrology and virtual dreaming. Moana must risk everything to save her, in this brand new contemporary feature about music and love.

Filmmaker and omnivore John Papola, together with his vegetarian wife Lisa, offer up a timely and refreshingly unbiased look at how farm animals are raised for our consumption. With unprecedented access to large-scale conventional farms, Papola asks the tough questions behind every hamburger, glass of milk and baby-back rib. What he discovers are not heartless industrialists, but America’s farmers – real people who, along with him, are grappling with the moral dimensions of farming animals for food.

Cell phone novelist Yukina Himuro has decided that in order to satisfy her fans’ demand for love stories, she must experience romance firsthand. However, with her icy reputation, how can she find someone willing to play the part of boyfriend? By blackmailing the most popular boy in school, of course.

Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.

Are you a risky drinker? Nearly 70% of American adults drink alcohol and nearly 1/3 of them engage in problem drinking at some point in their lives. Produced with The National Institute of Alcohol Abuse and Alcoholism (NIAAA), Risky Drinking is a no-holds-barred look at a national epidemic through the intimate stories of four people whose drinking dramatically affects their relationships.

Neurotypical is an unprecedented exploration of autism from the point of view of autistic people themselves. Four-year-old Violet, teenaged Nicholas and adult Paula occupy different positions on the autism spectrum, but they are all at pivotal moments in their lives. How they and the people around them work out their perceptual and behavioral differences becomes a remarkable reflection of the “neurotypical” world — the world of the non-autistic — revealing inventive adaptations on each side and an emerging critique of both what it means to be normal and what it means to be human.

Blood Riders is a blood soaked adventure comedy about 4 young friends who stumble upon a body after stealing a car. That discovery pushes the friends on a road trip around town during which they try get rid of the increasing amount of corpses. Along their wild ride the kids encounter neo-Nazis, punk artists, devil worshipers and a plan to resurrect Hitler.

Concert special featuring the iconic superstar as she performs in packed arenas around the globe. Featuring new hits and beloved classics that showcase Madonna’s signature visual theatrics, exquisite costumes and awe-inspiring choreography. With exclusive behind-the-scenes access that reveal the pop icon and her legion of dancers as they pour blood, sweat and tears into creating an astonishing arena show celebrated by fans around the world.

A love story. Theo and Frank are on the run from the British Navy in the early 1800’s. They hide in the grounds of an abandoned country house and discover it’s more than the living they’re running from.

This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi

How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

In an isolated rural community of Quebec, Canada, some inhabitants attack other people, hungry for human flesh. A few survivors gather and go deep into the forest to escape them.

The Bell Witch Haunting” is a powerful supernatural historic thriller based on terrifying actual events that took place in Robertson County, Tennessee from 1817 to 1821, in which a spirit tormented John Bell and his family, leaving him in a terrifying fight against the vengeful ghost to save his children and his own life. The haunting is the only known case where a spirit actually took credit for killing someone. After visiting the Bells home, Andrew Jackson said, “I vow I would rather fight the entire British Army single handed then face this witch again.” Written by Ric White

A young archaeologist uncovers a coffin of an ancient princess who was his lover in their past life. The princess is out to avenge her death from her younger sister who, in this life, is the lover of the archaeologist.

Husband Yang Baiwan and his wife run a restaurant in the countryside. Yang misunderstands that his wife is cheating on him and he then devises a plan of revenge. On the night he carries out his plan, two unfortunate robbers and a random couple get involved by accident. The six originally unrelated people now have something to do with each other, which triggers a series of absurd and ridiculous accidents. And their fate is also changed …

‘Gameplay’ is a feature documentary on the history of video games. From ‘Pong’, ‘Pac Man’ and ‘Mario’ to ‘Call of Duty’, ‘Grand Theft Auto’ and everything in between it tells the story of how this industry was created, by whom and where it is headed. Based on the book ‘Vintage Games’.

Fourteen years after the events of the first film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.

Goldberg is short and thin. He wears glasses. He’s lonely. He’s a mediocre computer programmer that lives in Tel Aviv and spends most of his energy searching online for a girlfriend. His only friend is Audrey, his beloved female dog. Eisenberg is a thug. Tall, fat, approaching middle age and not completely sane. He spends his days slouching around Meir Park, harassing innocent bystanders and doing business with petty thieves and small-time criminals. Unfortunately the two cross paths, and Eisenberg decides that they should start hanging out. But something in his demeanor says that he wants to be much more than just friends…This is a story about random meetings with strangers that lead to anxiety and paranoia. About lonely people in the big city. About losing control.

The follow up film to Haunted State: Whispers from History Past (2014). The Wisconsin-based paranormal investigation team sets out on a journey across Wisconsin to investigate historic theaters, that are rumored to have paranormal activity including “Shadow people” being reported by theater staff. Individually the theatres make up a group called, the Theatre Of Shadows. Those Wisconsin theatres are: The Riverside and Pabst theatres in Milwaukee, Barrymore Theatre in Madison and the Grand Opera House in Oshkosh. The adventure unfolds as the paranormal events are captured on film along with the history of Wisconsin’s theaters being revealed. The evidence is pieced together uncovering the mysteries that lie inside Wisconsin’s Theatre Of Shadows.

Soon after a young police officer reports for duty, he is confronted with the unspoken rules. There are people who cannot be questioned and cases that cannot be further investigated. Although he has been sidelined, he refuses to give up the old case. However, having spent so much time and effort, will he find out the truth or some long forgotten conscience?

Surgeon Simon Thorne suffers from paranoia, obsessions and hallucinations, and loses both his wife and his job. But then he meets a couple from one of his dreams where they kill him. So he has to kill them first.

A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about “amour.” Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year’s contest, and it becomes Israel’s entry.

Once in the life (of drug dealing and organized crime), can anyone get out? During a brief jail stay, two half-brothers, who have rarely seen each other while growing up, connect. One of them, called 20/20 Mike because he can sense people nearby, concocts a scheme in which the two of them will steal some dope from young couriers. The heist goes awry when Billy, the junkie brother, shoots the victims of the theft. The brothers hole up in an abandoned building, and 20/20 Mike seeks help from an old cell mate, Tony, whom he thinks is out of the life. It turns out that they have stolen Tony’s dope, and Tony’s boss wants the two thieves dead. Is there any way out? Written by

Since 2007, dozens of young people have been found hanged in Bridgend, a town in southern Wales. Many of them knew one another-they were friends, neighbors, and family. The striking similarities between their deaths have confounded authorities and struck fear into the hearts of parents. Headlines splashed across the UK earned Bridgend its infamous nickname: “”Death Town.”

Somewhere in the world right now–much closer than you think–people are playing with trains. You might not see them at first, but they’re there. In basements. In garages. In converted Army barracks. They’re among the world’s most compelling underground communities.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.