On a peaceful October day a college team and their coaches depart on a three day journey to a national championship. From the start strange things happen on their creaky, rented bus. Just after midnight on the third day, they hit something on the road. For the next six hours in the dead of night thirteen people face their ultimate terror. Trapped and isolated they must recruit all their strength and courage and find every available resource to destroy these mysterious predators. What do they want? Who do they want? It’s a fight for survival In the Still of the Night.

A man becomes the superintendent of a large New York City apartment building where people mysteriously go missing.

Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.

Leo (Peter Lanzani) is the wrong man in the wrong place at the wrong time. After taping a murder and keeping the evidence he runs away to stay alive and, in order to survive, he has to cover up himself. Under a new identity he will become an orthodox Hasidic Jew. A french ruthless killer, Duges (Gerard Depardieu) and his associates López (Santiago Segura) and Harken (Hugo Silva) will hunt Leo. Their nonstop chase has only one exhilarating speed: all- out. Time is running out and his enemies are getting closer. Now Leo a ragtag bunch of misfits will face the biggest challenge of their lives.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.

Having spent 10 years in prison for nationalist activities, Shack Twala is finally ordered released by the South African Supreme Court but he finds himself almost immediately on the run after a run-in with the police. Assisted by his lawyer Rina Van Niekirk and visiting British engineer Jim Keogh, he heads for Capetown where he hopes to recover a stash of diamonds, meant to finance revolutionary activities, that he had entrusted to a dentist before his incarceration. Along the way, they are followed by Major Horn of the South African State security bureau and it becomes apparent that he has no intention of arresting them until they reach their final destination

A self-serving journalist (George Sanders) uses influential women in late-1800s Paris and denies the one (Angela Lansbury) who truly loves him.

A newspaper publisher’s daughter suffers from neglect by her parents. She and her friends turn to crime by dressing up like men, holding up gas stations, raping young men at gunpoint, and having makeout parties when her parents are away. Their “fence” gets them to trash the school on request of sinister un-American clients, and they run afoul of the law, apple pie, and God himself.

Wang Yu plays a vagabond who earn a living on people’s superstitions, but also puts things right. (A Shaw Brothers production)

A star of hunting videos strives to bond with his 12-year-old son on a wilderness trip but learns familial connections can’t be forced.

John H. Groberg, a middle class kid from Idaho Falls, crosses the Pacific to become a Mormon missionary in the remote and exotic Tongan island kingdom during the 1950’s. He leaves behind a loving family and the true love of his life, Jean. Through letters and musings across the miles, John shares his humbling and sometimes hilarious adventures with “the girl back home”, and her letters buoy up his spirits in difficult times. John must struggle to overcome language barriers, physical hardship and deep-rooted suspicion to earn the trust and love of the Tongan people he has come to serve. Throughout his adventure-filled three years on the islands, he discovers friends and wisdom in the most unlikely places. John H. Groberg’s Tongan odyssey will change his life forever.

A bedtime story leads Littlefoot and his grandparents on a journey to a new land, where Littlefoot discovers someone who vanished before he was born: his father! Now Littlefoot must decide between two worlds. Will he leave to be with his friends in the Great Valley, or stay behind and start a new life with his father?

Littlefoot and the gang meet a shy newcomer, Ali, but the pleasantries stop there. There’s a dire environmental theme to this third sequel in the series, in which the world’s weather changes beyond the Great Valley, and what had been dry land is now a “land of mists.” The shift brings new creatures who push out older inhabitants, and Littlefoot sees these radical changes for himself when he has to venture into the area to find a medicinal flower for his sick grandfather. While the animation is slow and contained the way direct-to-video cartoon releases often are, the story is sound and the now-familiar characters are memorable.

Littlefoot and his friends are constantly being bullied and browbeaten by three teenage dinosaurs: Hyp, a Hypsilophodon; Nod, a Nodosaurus; and Mutt, a Muttaburrasaurus. However, when a shower of meteorites (flying rocks) impacts near the Great Valley and causes a rock slide in the Mysterious Beyond, which blocks the water supply of the Great Valley, Hyp, Nod, and Mutt are no longer the biggest worry of Littlefoot and his friends. The increasing lack of water causes conflicts between the inhabitants of the Great Valley, who have lived in relative peace and harmony until this event.

A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.

In 2012, Atsuya (Ryosuke Yamada) and his 2 childhood friends do something bad and run into an old general store. They decide to stay there until the morning. Late into the night, Atsuya sees a letter in the mailbox. The letter is addressed to the Namiya General Store and the letter was written by someone to consult about worries. Incredibly, the letter was written 32 years ago. The mailbox is somehow connected to the year 1980. Atsuya and his friends decide to write a reply and place their letter in the mailbox.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry’s treasures, which Kowalski revels in.

The surface of the Earth is under attack, thousands of people are killed in this unprovoked attacked. The cause, Princess Dragonmon and her army of monsters have decided to invade. Princess Dragonmon is an alien whose race has been hiding under us for centuries waiting to attack and the time is right. A doctor has been preparing for something like this and turns his assistant Rayma into the cyborg hero known as Inframan. Now only Inframan stands between the Earth and Princess Dragonmon but when a close friend is captured and brainwashed, can she be stopped with this inside man feeding her info?

The story of the people that frequented Harlem’s famous nightclubs, ‘The Cotton Club’, and those that ran it.

The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.

The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.

British film, released in the United States as “Stop Me Before I Kill!”. A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan’s physical injuries heal but the mental blackouts continue. Denise suggests a delayed honeymoon in the south of France and it is here that eminent psychiatrist, Dr. Prade, promises a complete treatment to cure Alan’s suffering. The couple accept his offer unaware that it comes from a mind more hideously disturbed and psychologically unbalanced than Alan’s.

A retelling of Romeo and Juliet set within the Los Angeles underworld.

Dolph Lundgren is Christian Erickson, a leading demolition expert trained to disarm mine fields in a humanitarian minesweeping operation in Angola. His son is killed and he discovers that mines are being planted during the war to kill people in the area.

A secret organisation offers wealthy people a second chance at life. The customer picks out someone they want to be and the organisation surgically alters the customer to look like the intended person, stages the customer’s death, gets rid of the intended person and the customer takes on a new life.

Two years ago reporter Kate Fisher’s interview with the man who turned out to be a serial killer sparked public outrage. Not believing that this man was in fact the September Slayer – led to another senseless murder. Had Kate turned over the interview to the authorities would Laura Rose still be alive? After losing her husband, her job and sense of self, she is now making a fresh start as a professor of ethics in the media. But someone out there can’t forget her past. Kate must figure out which one of her students wants her dead before it’s too late for her and her young son.

Al Shaw’s life revolves around motor racing and his back country junkyard, the “Smash Palace”. His French wife, Jacqui, doesn’t appreciate the lack of attention due to Al’s obsession with cars. When Al finds her in the arms of another man, he takes his daughter, Georgie and heads for the bush, desperately hoping to hold on to the only family he has left. Written by Evan Yates

“Listen: Billie Pilgrim has come unstuck in time.” Slaughterhouse-Five is an award-winning 1972 film adaptation of Kurt Vonnegut’s novel of the same name. Director Hill faithfully renders for the screen Vonnegut’s obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past, present, and future.

Air Force Major Lloyd Gruver (Marlon Brando) is reassigned to a Japanese air base, and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily an officer who is by-the-book, Gruver must take a position when a buddy of his, an enlisted man Joe Kelly (Red Buttons) falls in love with a Japanese woman Katsumi (Miyoshi Umeki) and marries her. Gruver risks his position by serving as best man at the wedding ceremony.

A plethora of single people connected through a dating app meet their judgement day based on their serendipitous sins.

S Is for Stanley is the story of Emilio D’Alessandro, Stanley Kubrick’s personal driver. A friendship that lasted through 30 years of their lives, helped create four cinema masterpieces, and brought together two apparently opposite people, that found their ideal journey companion far away from their homes.

A single woman runs a rent-a-cat service to provide companions for lonely people.

Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009.

Andreas and Martin share all the ups and downs of everyday life, and their son is maturing. A cautious approach to the traces of a long relationship. The love story of two people. Not about how they come together, not a phase they go through, but all of their shared experiences: all the years between the first kiss and today.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

The Knight Templars return in this fourth installment of the Blind Dead seris. On this outing, the Templars haunt a fishing village, where they rise seven nights every seven years to claim their sacrificial offerings in return for the safety of the townspeople.

While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a “model shop” (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he.

The rape of his teenage daughter instigated a violent, maniacal retribution on the perpetrator for which Georges was incarcerated in an asylum for the insane. When a stranger enters a quiet, country town and is seduced by a sensuous married woman he unwittingly finds himself at the centre of a storm of sexual guilt and murder for which he has been carefully and surreptitiously groomed to take full responsibility.

Julia (Trish Everly, in her only film role), a young teacher for deaf children living in Savannah, Georgia. Julia has horrid memories of her childhood, which was scarred by her sadistic twin sister Mary (Allison Biggers). At the urging of her uncle, Father James, Julia visits Mary, suffering from a severe skin disease, in a mental institution. The meet does not go well, and Mary vows to make Julia “suffer as she had suffered”. As their mutual birthday approaches, several of Julia’s friends and neighbors begin to die gruesome deaths, some of which committed by a mysterious Rottweiler dog that has some sort of connection to Mary. But is Mary really the killer?