A doctor’s research into the roots of evil turns him into a hideous depraved fiend.

Two drunk parents attempt to hide their ever increasing financial difficulties from their daughter and social circle through elaborate neighborhood schemes.

A young Jew in 1911 Wales tries to make his living by selling fabrics door to door, but to do so he must hide his nationality. On one of his sales he meets and falls in love with a demure young woman with a strong-willed father and a Jew-hating brother. The two fall in love and she becomes pregnant, but only then does she learn of his ethnic background. When anti-Jewish riots break out, the two are forced to flee and become separated.

Untouched is the story of a reluctant attorney’s struggle with inner demons while defending a teenage girl accused of murdering her newborn. When the “Hostess City of the South” is rocked by the horrific crime, Mitchell Thomas III becomes strangely compelled to defend the firm’s newest client. Mitch and the girl connect and her circumstances exhume memories that begin to consume him. While his mother (Eleanor) rallies for a quick resolution in order to save the prestigious reputation of the girl’s father from tabloid embarrassment, Mitch digs deeper into the Tybee community that hides the secret to the girl’s pregnancy. The more he uncovers about his client’s history, the more he drinks to escape the demons from his own past. Mitch realizes that in order to save this young woman, he must face the darkest events of his past. He works against his mother and an unforgiving city to acquit the young woman and mend is his own crippling wounds.

Set in 19th-century Russia, Allen is a cowardly serf drafted into the Napoleonic war, who would rather write poetry and obsess over his beautiful but pretentious cousin. Allen’s cowardice serves him well when he hides in a cannon and is shot into a tent of French soldiers, making him a national hero. A hilarious parody of Russian literature, Love and Death is a must-see for fans of Allen’s films.

Trevor is ‘between jobs’. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he’s not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons’ return is just the beginnings of Trevor’s problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.