With a sharp wit and even sharper tongue, Griffin deconstructs everything from modern romance and profile pictures to calorie counting and Fatburger in this raucous hour of standup.

The second holiday story inspired by Scotty McCreery’s song “Five More Minutes,” a young widow’s Christmas wish for her son is answered in unexpected ways when she returns to their old home for the holidays.

A cult is about to waken H.P. Lovecraft’s most feared creature.

In Los Angeles at the turn of the 1970s, drug-fueled detective Larry “Doc” Sportello investigates the disappearance of an ex-girlfriend.

Eight close friends soak up their last day of summer together on the beach before parting ways for college.

Two unlikely running mates seek the nation’s highest office.

Set in a small town in the backwoods of Kentucky, RED RIVER tells the tale of Roland Thatcher: a family man, a business man, a man of God…and a man who doesn’t take kindly to strangers. When a group of city kids sets up camp on the outskirts of his property, they spark a chain of events culminating in bloodshed, dismemberment and mass murder. As a local, fledgling reporter inches closer to the Thatcher property, the shocking truth about Roland and his ‘family’ may finally emerge…

EeBee the Evil Bong is back. And she’s stoner – er – stronger than ever. With Larnell, Sarah Leigh, Rabbit, Velicity and a lobotomized Gingerdead Man trapped in The Bong World for good, she once more sets about her plan for world domination.

The “@midnight” host makes things very funcomfortable for the packed house at The Palace of Fine Arts in San Francisco as he explores awkward and sometimes super creepy memories from both childhood and today. With “the energy of SpongeBob dipped in cocaine water,” Hardwick delves into dealing with anxieties, finds the humor in joining the “Dead Dad Club,” and shares deeply personal anecdotes that most people would be too embarrassed to say out loud.

Fred Z. Randall is geeky and obnoxious spacecraft designer, who gets the chance to make his dream come true and travel to Mars as a member of the first manned flight there.

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

A father and son unknowingly sleep with the same woman, then four years later compete over the paternity of a child either of them could be the father of.