It’s 1997. Frank Verstraeten, a computer genius with a nose for business, a fascination for nightlife and an unhealthy urge to prove himself, only wants one thing: his own disco that not only outperforms the competition but simply humiliates it. The futuristic mega discotheque Zillion is a fact and Frank turns from computer dealer to the pivotal figure of the Antwerp nightlife. He parades with the most beautiful women in Belgium and forges an alliance with Dennis Black Magic, the porn king who provides the spicy extras. Unfortunately, beautiful songs don’t last long either.
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The film is based on the life of Indian cricketer and the current captain of the Indian national cricket team, Mahendra Singh Dhoni.
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A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Mary Thomas, a free-spirited musician, has spent the past two decades traveling the world, but at age 41 she decides to go back to college and finish her degree so that, for once, she can finally finish something she started. Back at her old university, she becomes close friends with her popular and charming “peer tutor” — only to learn that he is actually the son she gave up 20 years earlier.
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