Larsen, an aspiring poet in ’20s Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbæk, and a scientist, Holm. Trapped in a tiny hut together as the Arctic winter sets in, a complex and intense love/hate relationship develops between Randbæk and Larsen, who are more similar than either would like to admit. A powerful psychological and physical drama set against stunningly bleak Arctic scenery.
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Steven Ray was never quite normal. But when tragedy strikes in the form of a deadly hit-and-run incident at a city cross walk, his violent and bizarre behavior becomes uncontrollable. One night, as Steven plots his next murder, he meets Percival, whose unsuccessful attempt at suicide not only interferes with Stevens plans, but the chance encounter also introduces the two into each others sad and lonely lives. Percival believes hes cursed after miraculously surviving each suicide attempt and concludes fate brought he and Steven together. So he hires Steven to assist him in suicide. Steven does not believe in fate and thinks Percival is desperate and delusional. But he accepts the offer. Easy money. After Percival continues to miraculously survive each attempt on his life, Steven starts to believe. He tries to help Percival figure out ways to break the curse. And in the process, they form an unlikely friendship through the common bond of tragedy.
An undertaker gets married to an old executioner’s daughter and, although he doesn’t like it, must continue the profession of his father-in-law after his retirement.
Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.
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