Political thriller is based on a true story about a young student beaten to death by the police in 1980s Communist Poland.
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In the aftermath of the most devastating conflict mankind had ever experienced, the tiny island of Shikotan became part of the Sakhalin Oblast… and on the unhealed border in this remote corner of the world, friendship among children from two different countries timidly blossomed, striving to overcome language barriers and the waves of history. Inspired by true events.
King Louis XI is a wise and old king and Frollo is the Chief Justice. Frollo gazes on the gypsy girl, Esmeralda, in the church during Fool’s Day and sends Quasimodo to catch her. Quasimodo, with the girl, is captured by Phoebus, Captain of the Guards, who frees the girl. The courts sentence Quasimodo to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. Later, at a party of nobles, Esmeralda again meets both Frollo, who is bewitched by her, and Phoebus. When Phoebus is stabbed to death, Esmeralda is accused of the murder, convicted by the court and sentenced to hang. Clopin, King of the Beggars; Gringoire, Esmeralda’s husband; and Quasimodo, the bellringer, all try different ways to save her from the gallows.
After the overdose, all Dean wants is to get clean and off the streets. When Maria offers a hand, he finds out just how far he’ll go for salvation, leaving a trail of blood and bodies behind them.
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Alice and Louis are brother and sister. She is an actress; he was a teacher and poet. For more than 20 years, Alice has hated her brother. In all this time they haven’t seen one another. The death of their parents brings the siblings face to face.
A hostel warden becomes the target of a dreaded politician and his gangster son, but little do they realise that it is they who should fear him.
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Toma Caragiu plays Costica Caratase character inspired by the personality of the great actor Constantin Tanase. The action takes place in the interwar period and focuses on the conflict between actor and Iron Guard movement (“savages”) offended by a satirizes artistic performances. Film question the artist’s freedom of expression and the danger posed by his involvement in social issues existing in a dictatorship world.