Fraternal twin sisters Emma and Lilly are as different as night and day. Emma, the beautiful blonde tomboy, would rather be riding a horse than anything else in the world. While Lilly, her shy redheaded twin, loves to be left alone to curl up with a good book.
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A series of disjointed mythical tales set in first century Rome.
Set in the 1970’s, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family–wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)–from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe’s spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein’s memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.
Maggie, an alluring free spirit who won’t let anyone – or anything – tie her down. But she meets her match in Jamie, whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie’s evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.
On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together.
A former smuggler attempts to start his life anew and repair his relationship with his estranged brother after his release from prison.
In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), legendary filmmaker Werner Herzog achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
As dementia engulfs her employer, a fragile home health aide begins to question her own sanity.
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Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
