After a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses appear to be coming back to life and living normally as locals in the small town.

Interviews with varied U.S officials and experts offer a deconstruction on the Bush administration’s case for war in Iraq in the wake of 9/11.

Freelance reporter Jennifer and her two friends, Karen and Vicki, accept an invitation for cheap room and board in a large farmhouse offered by a friendly, but shady, museum owner named Ernest Keller since all the motels in and around town are booked for a holiday parade fair Jennifer is covering. But unknown to the women, some unseen “thing” has been living in the basement of the house for over 20 years and is looked after by Keller and his shy sister Virginia, in which the “thing” soon gets out and begins harassing and killing the women one by one in various violent, but seemingly accidental, means.

The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.

Ignoring the admonitions of locals, journalist John Miller heads out alone to explore the remnants of Buffalo City, once the busiest town in the area but now merely a pile of dilapidated ruins amidst the encroaching swampland. Are the tales of strange apparitions and deadly encounters merely musings from tale-telling old timers, or will Miller uncover something darker, something that may cost him his life?

A Giraffe mother tells the story of three young gazelle fawns who have to experience great adventures on the plains of Africa.

Craig Ferguson unleashes his trademark stream-of-consciousness comedy before a sold-out crowd, riffing on fatherhood, Helen of Troy and shark penises. His show’s not safe for kids — or the easily offended.

Roger Mason is a prisoner locked away in a futuristic fortress of a jail. Desperate to escape and see his daughter, he keeps making attempt after attempt to break free, but each one is foiled just as he’s about to gain his freedom. As his punishments include being frozen in suspended animation for years at a time, he stays the same age while his daughter grows older. As more time keeps being added to his sentence, he despairs of ever getting out.

Remington has escaped the evil cabin, but now the evil continues to follow him wrecking havoc where ever he goes. As Chloe and Revel look for a missing sister that went to the evil cabin in the previous installment. The two meet Vincent, a failing tv show host, to help psychicly contact the missing sister. That’s when a gunshot rings out in the night and the three meet Remington. Now they all must battle for their lives against the evil that pursues Remington to once and for all lock the evil away for good.

A colorful portrait of Miami’s pot smuggling scene of the 1970s, populated with redneck pirates, a ganja-smoking church, and the longest serving marijuana prisoner in American history.

Faced with a documentary film that included an interview with a young girl forced into prostitution, Michael Kranz asked himself the apparently banal question of “what can be done?” He travelled to Bangladesh and began to search for the girl. A film that is both self-critical and critical of society about the desire to at least do something and not to simply and passively give in to the injustices in this world.

Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.