Johnna’s dad changed the world. Or so he says. Whilst Johnna and her dad are talking, they can’t seem to connect, each growing more and more frustrated with one another, revolving around one another in their own orbits.
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A corrupted customs officer, Choi Ik-hyeon, faces losing his job. Then, his life turns around as he meets ganster Choi Hyeong-bae who has connection with the Yakuza. They quickly form a partnetship; Hyeong-bae helps Ik-hyeon set up a business with the money from drug trafficking while Ik-hyeon lobbies for his partner Hyeong-bae. As the government declares war on crime, however, their partnership begins to crack.
A couple’s wedding plans are thrown off course when the groom is diagnosed with liver cancer.
Set in America’s Colonial period, John Ford’s adventure tale follows Gilbert (Henry Fonda) and Lana Martin (Claudette Colbert) as they try to survive the rugged frontier. After their settlement is repeatedly attacked by Indians, the couple is taken in by a spinster (Edna May Oliver). Lana bears a son, while Gilbert heads off to fight the Indians and the British. He returns, wounded, to find his family once again under attack by the Indians.
When his father dies, Terry (Gary Sinese) returns to the house where he grew up, planning to stay only long enough to clean and settle the estate. Yet something indescribable keeps him there longer than expected. Soon, he is reunited with memories and people from his past and his life is changed forever.
American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.
Alice and Bret’s dog Harvie is dying, and he’s ruining everything. What had been a bright little family is quickly getting consumed by clouds of self-doubt, suspicion and a disturbing amount of ground beef.
A young woman finds a path to internet stardom when she starts making videos with a charismatic stranger.
Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.
Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.
Aspiring but less than ambitious photographer Nate clumsily navigates the New York City art world in a post-grad haze, waiting for his breakthrough project to fall into his lap. During a drug-fueled wormhole through the annals of YouTube, Nate discovers his next subjects when an arbitrary click lands him on a crude music video by the Young Torture Killaz—an Insane Clown Posse knock-off group of jaded Delaware teens with a lot to scream about—and the inspiration (and exploitation) flows
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
Claude falls in love with Cécile. She is convinced that she is the woman of her life unlike her mother who knows the tumultuous sentimental life of her daughter.