On her way to the theater, Vera, star of a Russian vaudeville troupe, is rescued from a falling girder by Eugene Foster, a wealthy broker who persists in his efforts to win the girl. Foster engages the troupe to perform at his home, and Vera, stunned by a fall, awakens to find Foster pleading his love, while Norodin, her partner who loves her, sees them embrace. Norodin, who performs an underwater stunt, asks Vera not to be present for his act and causes her to believe him dead; heartbroken, Vera tells Foster of her mistake; and enraged, he attempts to seize her. The magician appears, pins Foster to the wall with knives, and advises him to leave before the last blade is thrown.
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Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios’ house must be decorated.
Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys’ home known as The Island. Juhani (Niilo Syvaoja) has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula (Tommi Korpela) can truly be.
East Germany. Summer, late 70’s. Three years after her boyfriend Wassilij’s apparent death, Nelly Senff decides to escape from behind the Berlin wall with her son Alexej, leaving her traumatic memories and past behind. Pretending to marry a West German, she crosses the border to start a new life in the West. But soon her past starts to haunt her as the Allied Secret Service begin to question Wassilij’s mysterious disappearance. Is he still alive? Was he a spy? Plagued by her past and fraught with paranoia, Nelly is forced to choose between discovering the truth about her former lover and her hopes for a better tomorrow.
Cynical British journalist Fowler (Michael Redgrave) falls in love with a young Vietnamese woman, but is dismayed when a naïve U.S. official (Audie Murphy) also begins vying for the girl’s attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy. Director Joseph L. Mankiewicz’s drama paints a rosier picture of U.S. involvement in French Indochina than Graham Greene’s provocative 1955 novel.
Gord’s Brother is set in a world where monsters and humans co-exist, and follows the story of Gord and his monster brother as they run away to find a new home and search for the fabled City of Monsters.
Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to become a teacher and eventually seeks employment outside the school. Her advertisement is answered by the housekeeper of Thornfield Hall, Mrs. Fairfax.
Three young people arrive from different parts of the country to go to college in Sao Paulo. On their first day there, a strange and intense attraction unites them. Together, they rent an apartment and begin living together, in close quarters. Sharing kisses and fond embraces. They exchange words of endearment with the naturalness of ordering a sandwich at a diner. They threaten to break up and the next moment they are all laughing together again. College days however soon come to an end and, with each having different paths to trail, separation is imminent. And consequently, their gestures, words and attitudes take on a new weight. Touching each other now takes on a new significance. Words of love are weighed down by consequences.
Kyle (Markiss McFadden), one of the many orphans raised in an orphanage by Father Antonio (Paul Sorvino) is an assassin who is sent on missions; from God. For years Father Antonio led these boys to believe they are killing in the name of God. Kyle was one of the best executioners of Father Antonio’s men. After placing a bomb in a little coffee shop to execute the owner a little boy Matthew (Aiden Wind) and his mother walks in the restaurant just seconds before the explosion. Kyle decided to save both of them but unfortunately he was only able to save the little boy. A reluctant Kyle takes him in and keeps him hidden for seven days. Through a very complex relationship Kyle discovers a different side in him he didn’t know existed. With all the fights, bullets flying, and explosions it’s going to be harder than he thought keeping Matthew safe. But with the help of Kyle’s beautiful neighbor Tara (Mischa Barton) it just might be possible.
Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.
Jeffrey Hansen has had a lot of bad days in his life. He is having another one today. A minor setback that seems easy enough for anyone else to overcome breaks Jeffrey’s spirit. He is sent spiraling into memories of lost loves, ruined lives, casualties of war, and the heartache of never being enough. As he wrestles with his past, he is plunged into an epic battle with himself that ends with an act of mercy.
