The life and provocative work and writings of First Nations artist, Richard Bell. The film reveals the “two Richards” – “Richie” the provocateur and enfant terrible of the art world who challenges its whiteness, and the Richard who spent his childhood living in a tin shed, learnt his politics on the streets of Redfern and is known in his own community as an “activist”.
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Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.
The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.
Chicago artists Jackie and Don Seiden are a half-century into their marriage, time spent creating distinct yet congruous bodies of work. Jackie makes art of everything around her. Central to her practice is a recognition of the fragility of materials. That conceptual interest has turned into daily reality, as both her body and one of her most ambitious art projects, her canary-yellow Victorian house, start to fall apart. Don’s work reveals a mind resigned to death. He has always been interested in the rules of nature, and now he finds himself facing inevitable health scares. So Late So Soon is a sensitively constructed, playful character study that honors Jackie and Don’s art, and even becomes a part of it, while also locating in it glimmers of their essence.
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The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.
The cameras of Jacques Perrin fly with migratory birds: geese, storks, cranes. The film begins with spring in North America and the migration to the Arctic; the flight is a community event for each species. Once in the Arctic, it’s family time: courtship, nests, eggs, fledglings, and first flight. Chicks must soon fly south. Bad weather, hunters, and pollution take their toll. Then, the cameras go
An engrossing portrait of the rise and untimely demise of David McComb, the virtuosic frontman of Australian rock band The Triffids.
In 1999 Aaron Baker broke his neck in a motocross accident, leaving him completely paralyzed from the neck down. Despite doctor’s grim prognosis over the next 16 years Aaron decided not to listen to those who said ‘he had a million-to-one odds of ever feeding himself again’ and instead, through painstaking effort, endeavored to regain as much mobility as possible. This journey through the unknown took him from the depths of depression to the joys of cross country road tripping via tandem bicycle with his mother and friends, and finally, culminated in his opening a socially conscious low cost gym focused on increasing mobility for the disabled. Now in Coming To My Senses we watch as Aaron takes one final journey which symbolizes his recovery: to cross a 20 mile tract of Death Valley unsupported on foot. But will he make it?
The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.
Born in Livorno, Tuscany, artist Amedeo Modigliani (1884–1920) lived a short, tormented life, narrated here from an original point of view, that of his young common-law wife, Jeanne Hébuterne.
An intimate portrait of Hollywood royalty featuring Debbie Reynolds, Todd Fisher, and Carrie Fisher.
How do you grasp an event as enormous as September 11? At the Smithsonian’s National Museum of American History, you start small: A briefcase, a Blackberry, a victim’s sweatshirt, and a hero’s nametag. Simple objects that tell personal stories, recounted in the donors’ own words. Stories from New York, the Pentagon and Shanksville, PA remind us that the legacy of 9/11 is not fear — it’s friendship, courage, and ordinary people pushed by extraordinary circumstances.
