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Harry Doyle (Lancaster) and Archie Lang (Douglas) are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom. Harry and Archie realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt. Archie, who spent his prison time pumping himself up, easily picks up a 20-year-old aerobics instructor. Harry, on the other hand, has to waste away his days in a nursing home. They both have festering resentments — Archie for having to endure a humiliating job as a busboy; Harry for having to endure patronizing attitudes toward senior citizens. The two old pals finally go back to what they know best. After successfully robbing an armored car, they decide to rob the same train that they robbed thirty years ago.
An uptight documentary filmmaker and his wife find their lives loosened up a bit after befriending a free-spirited younger couple.
Pressured by his deceased mother’s ghost to return home to the family he abandoned, a former addict grabs a bag of pills and a sack of marijuana and hits the road to Shreveport.
Sometime in the future, mankind has depleted all energy and fuel sources, however they have engineered a way to use human excrement as fuel. To reward production, the government hands out extremely addictive, popsicle-like “Juicybars”, which in turn also act as a laxative. Aachi and Ssipak are street hoodlums who struggle to survive by trading these bars in the black market.
A day in the life of a barbershop on the south side of Chicago. Calvin, who inherited the struggling business from his deceased father, views the shop as nothing but a burden and waste of his time. After selling the shop to a local loan shark, Calvin slowly begins to see his father’s vision and legacy and struggles with the notion that he just sold it out.
In 1987, a group of counselors accidentally unleash a decades’ old evil on the last night of summer camp.
The tomboyish, outgoing Julieta is the daughter of a member of the Palmeiras soccer club board. She is constantly frustrated by what she sees as institutional bias against women in soccer. One day while watching her beloved Palmeiras, she is struck by a handsome man, Romeu, that she sees rooting for the Palmeiras’ chief rivals, the Corinthians. After meeting the same man again in the middle of eye exam, Julieta and Romeu quickly become a couple. However, in order to avoid incurring the wrath of her parents, Romeu is forced to pretend to be an adoring Palmeiras fan, an increasingly difficult task for the die-hard Corinthiano.
Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
Set in Hawaii, All For Melissa is a touching, beautiful feature film that tells the story of a young man’s coming to grips with the reality of his everyday life. It shows that even though you may not get the girl of your dreams, the movie star fantasy; sometimes the girl next door, your best friend, is better than any dream girl ever could be. What sets All For Melissa apart from other films of this genre is the role the landscape, culture, and spirit of the Hawaii plays in the film. This is a love letter to Hawaii, a big aloha, and mahalo to the land and the people of this state.
Five friends revisit their hometown for their high school reunion. Soon they will learn that their quiet Texas town is the home of a long, sinister curse.
