The Coen Brothers tell the story of a absurd yet likable family with an unproductive couple as the focal point. The couple has gotten themselves into some trouble while kidnapping a baby and give Hollywood one of the most memorable chase scenes to date.

December of 1941, Northwestern Front. A German tank column is moving towards Moscow. During a mission to stop the enemy advance, Nikolai Komlev’s IL-2 is shot down. Komlev manages to crash-land his plane in a remote forest clearing. He’s alive, but far from friendly territory. Ahead of him is a relentless trial of severe physical and mental endurance. After battling hunger and extreme cold, evading packs of wolves and detachments of Nazi soldiers, the wounded Komlev finally makes it back to safety. But there he faces another challenge, the most life-changing of them all.

A day in the life of an unfaithful married couple and their steadily deteriorating relationship in Milan.

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

Desperate to be free from her drunken, unloving mother Diane, the beautiful, scheming young Mini seduces her stepfather Martin and soon convinces him to join her in a sadistic scheme to have Diane declared insane. But their conspiracy soon escalates to murder and when John Garson, a young detective starts investigating, Martin and Mini begin to turn on each other.

When her husband’s sex game goes wrong, Jessie (who is handcuffed to a bed in a remote lake house) faces warped visions, dark secrets and a dire choice.

Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.

In 1964, a Catholic school nun questions a priest’s ambiguous relationship with a troubled young student, suspecting him of abuse. He denies the charges, and much of the film’s quick-fire dialogue tackles themes of religion, morality, and authority.

Two strangers meet in a hospital where their respective partners lie in a coma. Their meeting sees them start to re-examine what they want to do with their lives as they deal with their grief and sadness.

This Is Not A Test is a comedy/drama directed by Christopher Angel. The film is based around a man called Carl (Hill Harper) who’s living his everyday life whilst trying to cope with his fear of terrorist nuclear attacks. However, with the threat so high he soon lets loose and jeopardizes his family and friends.

Khosrow and Morteza set out on a mission to kill someone. The assassination ought to be arranged as a suicide. At the last minute however, they are obliged to change their initial plans…

A movie based on the italian sitcom “I Soliti Idioti”.