“Onion” Upgrading warm male school bully (Wang Chuanjun ornaments), “Akio” promotion domineering senior sister apprentice (Dong Weijia ornaments), you might guess at the beginning, but you’ll never guess the outcome.
Unfulfilled love, love hard to follow. Even a hug can not give, but I was in this world that one loves you; even if the fate of certain death to let us apart, I have to find a way back to your side to protect you.
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The story follows General George Armstrong Custer’s adventures from his West Point days to his death. He defies orders during the Civil War, trains the 7th Cavalry, appeases Chief Crazy Horse and later engages in bloody battle with the Sioux nation.
A young man involved in a love affair that will change his life forever, whilst his lover wrestles his demons on a journey that will force him to come to terms with his sexuality, leaving lives destroyed in the wake.
John and his buddy, Jeremy are emotional criminals who know how to use a woman’s hopes and dreams for their own carnal gain. Their modus operandi: crashing weddings. Normally, they meet guests who want to toast the romantic day with a random hook-up. But when John meets Claire, he discovers what true love – and heartache – feels like.
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people’s ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.
Along with his young son, Ji-ho, Woo-jin misses his wife Soo-a, who died after promising to return a year later with the rainy season. Miraculously, they reunite with Soo-a when the rainy season comes around, but she has no memory of her husband and son whom she dearly loved.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Happily unattached, the sexually voracious Leila satisfies her desires with a host of rapidly changing bed partners, unconcerned about the emotional consequences. But that all changes when she meets an artist looking for a deeper commitment.
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
A young lady who has grown up with her father being a radio DJ, becomes one herself. Falls in love and hosts a ‘Romantically Speaking’ show.