Three women are sent by steamboat to an undisclosed jungle prison called “The Home of Lost Souls”. Here they experience the usual beatings, whippings, cat fights and humiliations. The butch warden has a deal on the side with a local pimp who forces them to dance in bikinis at a nightclub and sexually service the patrons. Tired of cages, rape, torture and rats, the girls kill the resident snitch and escape into the jungle.

Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.

A self-destructive ex-Mormon finds out her estranged, abusive father is on his deathbed in Provo, Utah – so she road trips across the country to reckon with her past, current friend-with-benefits in tow.

One day, teenager Magda offers her expensive necklace to a sick child in the hospital she volunteers for- her father is certain she is lying again. When she proves her innocence, he is ashamed and guilty but also incapable of admitting he was wrong. Relationships are now broken and in chaos, and past decisions have an irreversible outcome.

Làn fhìrinn na sgeòil. The truth is in the story. When a young man, Angus, visits his dying Grandfather in hospital he cannot hold back his boyhood quest for the truth – the truth behind the death of his parents and the truth behind his Grandfather’s ancient, incredible, fearful stories. Stories from the whole swathe of Gaelic history of poisoned lovers, bloody revenge, water-horses and Spanish gold. His Grandfather hijacks Angus’ life for one last time leading him to one of Scotland’s most treacherous mountains, The Inaccessible Pinnacle on the Isle of Skye, and an ancient truth he never expected to find. Seachd: The Inaccessible Pinnacle is the first Scottish Gaelic feature film.

The mid 90’s. Turkey’s political instability, inflation and hopelesness on people were increased. In those years when all hope was lost, people deeply bond with Bold Pilot and Halis Karataş who win every race coming from the last place. People see themselves at the point where this horse and jockey are: at the back. This duo make people to believe that everybody can win. The race ends at the finish line and the first to cross this line are Bold Pilot and Halis riding it.

A young couple travel from England to Scotland to address a haunting memory from their past.

An eclectic mix of students wake up on a cold bus, knowing only they are about to start an internship at a remote hotel. They understood it would be difficult, but little did they know just how hard it would be.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

Martina was a famous singer in Argentina during the late 90s, who’s become completely frigid and disenchanted with love. The arrival of a so-called sister, alongside her attractive boyfriend, compel Martina to go to Chile with one objective in mind: getting back her libido.

Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.

What do you do when love simply isn’t on the cards and keeps passing you by? 60-year-old Kristýna has lost her last ray of hope, so she goes off with her daughter Sára to talk to a fortune-teller about her sorry lot in life. One year on from Mirrors in the Dark, Šimon Holý brings us another wholly independent film about life’s traumas as seen from a female perspective, this time with a liberal dose of esoterica on top.