Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang “Mother Medusa”.

After leaving his wife and his job to find happiness, Anders begins a clumsy, heartbreaking quest to reassemble the pieces of his fractured life.

Two sisters return home to care for their aging father.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

A trailer is burning in the middle of a plain. The bodies of two adulterous lovers are found. Scenes from both families, before and after the dramatic events, suggest an unusual connection between them. But what is their secret?

It’s the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: “Was it or wasn’t it a revolution in their town?”

In this hard-edged urban drama, when a shocking murder is committed in a Hispanic neighborhood in East Lost Angeles, the local residents are up in arms and demand action from the police. When the cops prove slow to investigate the killing, the local street gangs who prowl the area put aside their differences and set out to find the murderer themselves.

Ivan Lashin, a young man who lives with his mother in the country and works at home, met director Vitaly Suslin. The young man told the director about his life, they wrote a script together and thus the feature film “Head. Two Ears” was born, in which Ivan played himself as the main character. Russia’s most important festival Kinotavr declared it the best script and the film also received the award of the Russian Film Critics Guild. Now, a few years later, Vitaly and Ivan have made a new film which talks about Ivan’s life after festivals: has he changed, what is he dreaming about?

When a small town gets plunged into the nightmare of serial killings, rookie cop Arjan embarks on a chase for the truth and unravels a gruesome conspiracy.

With their university graduation nearing, a group of young students grapple with the inevitable fact that they must now become young “adults”.

The story leading up to the wedding of Lilli Marlene.

Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike’s car and then, after an odd sequence of events, shoots out the studio’s window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike’s wife to his own – the women initiate business dealings. Then, things go sour all at once, Mike’s debts mount, and going into the ring may be his only option.