Rome, Italy, June 1993. Antonietta De Lillo and Marcello Garofalo interview legendary Italian film director Lucio Fulci (1927-96).

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On April 26, 1986, a 1,000 feet high flame rises into the sky of the Ukraine. The fourth reactor of the Chernobyl nuclear power plant just exploded. A battle begins in which 500,000 men are engaged throughout the Soviet Union to “liquidate” the radioactivity, build the “sarcophagus” of the damaged reactor and save the world from a second explosion that would have destroyed half of Europe. Become a reference film, this documentary combines testimonials and unseen footage, tells for the first time the Battle of Chernobyl.

Liv Morgan dropped out of high school a decade ago to chase her professional wrestling dreams. The journey continues for the World Wrestling Entertainment competitor, but it hasn’t always gone smoothly or quickly.

STILL BILL is an intimate portrait of soul legend Bill Withers, best known for his classics “Ain’t No Sunshine,” “Lean On Me,” “Lovely Day,” “Grandma’s Hands,” and “Just the Two of Us.” With his soulful delivery and warm, heartfelt sincerity, Withers has written the songs that have – and always will – resonate deeply within the fabric of our times. Filmmakers Damani Baker and Alex Vlack follow Withers and offer a unique and rare look inside the world of this fascinating man. Through concert footage, journeys to his birthplace, interviews with music legends, his family and closest friends, STILL BILL presents the story of an artist who has written some of the most beloved songs in our time and who truly understands the heart and soul of a man.

The movie focuses on our common identities : “woman” and “black”, whilst highlighting the diversity of Afropean diasporas. This documentary explores the intersections of discrimination, art and blackness.

The Reckoning opens on a contrite Weinstein packing off to a rehab centre, mere moments before the tectonic plates of an industry would heave open both a cultural zeitgeist and a feminist revolution: the #MeToo movement. The film details not only the personal toll of Weinstein’s alleged pathology, but broadens the systemic scale of abuse to the ensuing scandals involving James Toback, Woody Allen and Louis C.K.

In this hybrid political thriller and verité portrait documentary, Sara Nodjoumi, working with co-director and husband, Till Schauder, makes her directorial debut with this personal film, diving into the mystery surrounding the disappearance of more than 100 “treasonous” paintings by her father, seminal Iranian modern artist Nickzad Nodjoumi.

Evolution as an artist is often times what separates legends from the more mundane. After being heavily influenced by his experience in Jamaica – and his subsequent name change from Snoop Dogg to Snoop Lion – the LBC showman prepares his latest reggae-infused album Reincarnated. As part of the process, VICE followed Snoop to the island nation as he recorded various songs with backing from Diplo, Ariel Reichtshaid and Dre Skull of Major Lazer. Having grown tired of what rap provided him, the documentary reveals the rebirth and inspiration for his latest project.

The story of a young boxer on the road to his dream; a world title fight in his hometown of Leeds. On the way, we meet an extraordinary family, a father who trains his son and the most passionate fans in boxing. The film is set against the backdrop of one city; Leeds. Half aspirational professionals and students, half austerity ravaged estates, Leeds is a schizophrenic metaphor for England in 2016. Our boxer bridges the two because this is a city in need of a hero. Can he match and fulfil their hopes and dreams?

On February 12, 2008, in Oxnard, California, eighth-grade student Brandon McInerney shot his classmate Larry King twice in the back of the head during first period. When Larry died two days later, his murder shocked the nation. Was this a hate crime, one perpetrated by a budding neo-Nazi whose masculinity was threatened by an effeminate gay kid who may have had a crush on him? Or was there even more to it?

A family trip across the American West becomes an essay film about nuclear threats past and present. The apocalypse is omnipresent, and the journey shows that destruction has long since become inscribed into the landscape and history of the country.