The story of a boy who, driven by the search for his lost brother in the turmoil of WWII, joins a group of children in order to survive the chaos of post-war anarchy in the haunted forests of Lithuania.
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The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino’s funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina’s older friends, a landowner losing his land, dramatize contrasting images of Italy’s future. Their own futures are bleak.
A troubled teen is sent to live with his estranged father, a park ranger. During his time there, he develops an unusual affinity with and passion for the wolves in a local pack.
Bizarre black comedy about 15th-century Paris lawyer Richard Courtois (Firth) who decides to ply his trade in the country, only to find things stranger than he can imagine. His first case turns out to be defending a pig that’s accused of murdering a child. And the pig is owned by beautiful gypsy Samira (Annabi), so the idealistic lawyer can fall in love (or lust). There’s religion and superstition, there’s power struggles, there’s ignorance versus knowledge–things sound very modern indeed.
Poetic, experimental and different, Container is described by Lukas Moodysson as “a black and white silent movie with sound” and with the following words; “A woman in a man’s body. A man in a woman’s body. Jesus in Mary’s stomach. The water breaks. It floods into me. I can’t close the lid. My heart is full.”
About a man who’s angry at his wife because she’s met another man on a park bench and they no longer even speak the same language.
This thrilling, allegorical drama follows the intricately interwoven lives of three people, delving into concepts of good and evil, and complex emotions. Ragini re-locates to distant Lal Matti along with her Superintendent of Police husband, Dev Pratap Sharma, in order to enable him to apprehend a bandit, Beera Munda. Shortly thereafter her life is turned upside down when she is abducted by Beera and held captive. It is during this captivity that she is forced to experience myriad complex emotions, with her life in danger of ending within 14 hours. However, she also attempts to the real reason behind her abduction. What will she discover? How will justice be served? Will Ragini’s life be spared, and if so, will she be happy to return to the safety of her husband’s embrace?
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Two misfit best friends incapable of growing up, whose direction is tested by an abandoned child, worn beyond his years; together they invent the family they’ve always needed.
Documentary filmmakers assert that Anthony Porter – a former death-row inmate who was spared the death penalty thanks to the efforts of a college journalism program – was actually guilty, and an innocent man was sent to prison.
Filling the giant screen with stunning time-lapse vistas of Antarctica, and detailing year-round life at McMurdo and Scott Base, Anthony Powell’s documentary is a potent hymn to the icy continent and the heavens above.
An emotionally charged look at three polygamous families in Bali
