“Dying is easy. Comedy is hard.” Familiar words for any comic, but for Jason Barnes, comedy provides a brief oasis in a world of confusion, uncertainty and personal turmoil. Wits End follows Jason as he works rooms large and small throughout the country, building a reputation as an up-and-comer in the world of standup. All the while, his off stage struggles to make sense of the world around him threaten to send him over the edge of both a personal and professional breakdown. Honest, bittersweet and often hilarious, Wits End takes audiences on a journey of comedy, sadness and learning to find life no matter where you are along the road.
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The film is set in a pre-Covid Taipei, where a group of disenchanted souls are lost in a parallel virtual world.
Romance novelist Liam Bradley (Dylan Bruce) has already found massive success with three books written under the pen name Gabriel August, but he’s mysteriously unknown to his legions of readers. With his first book written as a way to heal after a broken relationship, Liam has slowly become disheartened with writing strictly for romantic fantasy, something evident to a sweet, but honest, journalist who reviews books, Sophie Atkinson (Amy Acker), whom he meets by chance on a plane. The two begin a tentative relationship in Sophie’s home town of Portland, Oregon, where Liam has come to find inspiration for his newest entry. Liam’s agent puts him on the spot with a long-planned reveal of Gabriel August’s true identity, but Sophie doesn’t know of his public persona. The longer Liam avoids telling her the truth, the deeper a hole he digs for himself. Will their romance survive once his true identity comes to light?
A man and a demon search for purpose as they journey through hell and heaven.
Mainly the story of Shinsuke and his stepmother, ranging from Shinsuke’s infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of the life of the characters. Shinsuke’s father dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a kind Korean and a Harley-riding yakuza.
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika’s attentions and she then moves in with him. They might live happily ever after but first they have to cope with Kika’s affair with Nicolas, the suspicious death of Ramon’s mother and the intrusive gaze of tabloid-TV star and Ramon’s ex-psychologist Andrea Scarface.
A writer who praises living a life of single teams up with an editor who is desperate about finding her better half. Would it be possible for the two of them to finish the book?
Joma believes that a “life charm” would help him win money for his debts. He then accidentally meets Diane who gives him luck after they’ve been close to each other. Everything goes well for both of them until they discover their luck will disappear if one of them falls for the other.
Starring pop idol Bobby Duo (竇智孔) and emerging young actress Lin Jia-yu (林家宇), the film begins with Meibana (played by Duo), a 26-year-old Tao man, deciding to take a break from his stressful life in Taipei and return to Orchid Island. There he learns to appreciate his people’s traditional way of life as he whiles away his time collecting the island’s natural sounds with his recordist and mentor A-fei.
An agoraphobic hip-hop prodigy and a disgraced former music manager cross paths in Chicago’s South Side and help each other face demons of their pasts.
Radu Iovan and his high moral principles become the target of a ten thousand souls wager between God and Satan.
Single and middle-aged, beautiful Irene (Margarita Buy) is wholly devoted to her job as an inspector of luxury hotels. Constantly on the road, she indulges in expensive pleasures at impeccable resorts, but always incognito and alone, soon escaping to the next exotic destination with her checklist and laptop in tow. When her best friend and ex, Andrea (Stefano Accorsi), who has always been a source of emotional support, suddenly becomes unavailable, Irene is thrown into a deep existential crisis. “Luxury is a form of deceit,” she is told by a fellow traveller in the fog of a steam room, and thus begins Irene’s quest to bring more meaning into her life.
