Sixteen-year-old Ellie is on the way to achieving her dream. She has a confirmed place in the RAF training cadets. All she needs is her Mum’s permission to let her go.
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Aged, embittered widower, Fred learns to enjoy life thanks to his elderly yet vibrant neighbor, Elsa. Upon learning Elsa is terminally ill, Fred takes her to the Fontana di Trevi in Rome in order to reenact her favorite scene from ‘La Dolce Vita’.
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
The little witch is only 127 years old – too young for the annual coven of witches. Although she is not yet old enough to be a real witch she wants to become a really good one. This decision causes trouble inside her magic world.
With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.
Set in 1965, a true story of one man’s struggle to bring rock music to a nation, an iconic New Zealand story with a universal ‘David and Goliath’ theme. The youth will find it incredible this actually happened and existed as part of New Zealand society in the 1960′s. It’s a titanic struggle for freedom and ‘the choice to choose’.
Follows Stella, who has worked for the past six years with Pablo as co-hosts of a house renovation show, but as they work together more closely than ever before, she gets complicated and unexplored feelings that may jeopardize everything.
Pinter’s semi-autobiographical play examining the surprise attraction, shy first steps, gradual flowering, and treasonous deception of a woman’s extramarital affair with her husband’s best friend; the entire story is told from the husband’s point of view, with the scenes in precise reverse chronological order. Written by Dan Hartung
Every Tuesday, sixteen-year-old Allie stays with her dad and insists that this week will be no exception. Throughout the course of the day, she endures awkward encounters with family and friends before finally arriving at her dad’s flat where her routine is broken by the silence of an empty home.
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They’re all rather tight, or so they claim.