Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
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Set in contemporary Hong Kong, several young people are searching for romance and struggling to learn the difference between lust and love in an adventure that takes them to the mainland where pleasure is much more readily available.
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After returning home from an extended tour in Afghanistan, a decorated U.S. Army medic and single mother struggles to rebuild her relationship with her young son.
A young actress seeking a life away from adult movies moves to Florida insearch of a new identity. Her newfound peace is shattered when local thugsrecognize her.
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike’s car and then, after an odd sequence of events, shoots out the studio’s window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike’s wife to his own – the women initiate business dealings. Then, things go sour all at once, Mike’s debts mount, and going into the ring may be his only option.
Despite his ambitions to make it big, Beni is still stuck in the hills, bitter and hurt, struggling to make ends meet by teaching music and singing in clubs. Jyotsna, his estranged student and now a Bollywood singer, left the hills 8 years ago. The town is abuzz with the news of Jyotsna’s return to perform at a music concert. Beni has to come to terms with the pains of the past and the delusions of the present to deal with both, Jyotsna’s presence in the hills and in his life.
The traumas of childhood differences and disappointments leads two brothers on totally different paths. Finding their way back to one another, will the childhood traumas they’ve endured be too much and drive them even further apart?
Iremar is part of a rodeo troupe that tours the Brazilian northeast. His task is to send bulls into the arena. Intensely exciting physical scenes alternate with contemplative episodes that sketch a painterly portrait of the members of the troupe. Sublime images, which alternate with a less idyllic reality: the hard work amidst the cows. Jointly they form a fabulous choreography, against the background of a rapidly changing society.
