Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
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Two exes finally reconnect when a snowstorm leaves them stranded in a superstore (without cell service or Wi-Fi) just before Christmas.
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The story is of a small town in the early west and of a ‘shooter’ of reputation that drifts into it and stands up to the controlling family that runs it. But far from a John Wayne, this hero is caught and brutally beaten and left to die, only to be saved by a prostitute that has also suffered under the hand of this group of desperados. The only one possible to stand up to the shooter is another solitary man who joins with the notorious family although he is deputized as the town’s sherif.
Set in the landscape of a rural southern town, “George Washington” is a stunning portrait of how a group of young kids come to grips with a hard world of choices and consequences. During an innocent game in an abandoned amusement park, a member of the group dies. Narrated by one of the children, the film follows the kids as they struggle to balance their own ambitions and relationships against a tragic lie.
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.
A psychological thriller that takes you through the mind of convicted killer, Michael Raine, and his experiences on death row. Was he guilty of killing his girlfriend or was he a victim of a conspiracy to frame him for a crime he didn’t commit? As the story unfolds Jessica Foster, an assistant to the Governor of Tennessee begins to interview Raine while on death row, claiming that she’s writing a book about the inmates. Through various circumstances, Raine puts two and two together and builds a case that he believes can prove his innocence…or does he? Ms. Foster is the only one on the ‘outside” who can give Raine a voice, but is she working for those who framed him? As time draws near to the date of his execution, in his most desperate hour Raine finds the missing pieces to the puzzle to prove his innocence, but is it too late…? Was this story told from Raine’s point of view or from the book writers or from yours, the viewer – you decide.
Major Charles Carrington (David Niven) is arrested for taking £125 from the base safe. He also faces two other charges that could finish his distinguished service career. He decides to act in his own defence at his court martial hearing, his argument being that he is owed a lot of money from the army for his various postings that have cost him out of his own pocket. To further complicate the proceedings, Carrington alleges he told his superior, the very disliked Colonel Henniker, that he was taking the money from the safe. A man’s career, his marriage, and quite a few reputations all hang in the balance.
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