When Bob Hart, a widowed police detective trying to raise a rebellious teenage daughter, inherits a Montana horse ranch, he jumps at the opportunity to leave Los Angeles for the open range. Soon after arriving, Bob accepts the position as county sheriff and discovers that the seemingly bucolic countryside is far from tranquil. His problems include wolves who attack his stock, ruthless developers trying to take over the town and a female veterinarian with a chip on her shoulder, while trying to build a new home.
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A reclusive, God-fearing 91-year-old man and a young Cuban refugee home-aid worker struggle to come to terms with their regrets, the unbearable pain of unacceptable loss, love and the most difficult and beautiful of human truths: life ends and life goes on.
After the death of his fiancée, an American illustrator runs out of medication while wandering the isolated Icelandic countryside – unsure if his compulsions are related to his disorder or if he’s being forced to unlock ancient secrets.
After surviving a stabbing by a student, teacher Trevor Garfield moves from New York to Los Angeles. There, he resumes teaching as a substitute teacher. The education system, where violent bullies control the classrooms and the administration is afraid of lawsuits, slowly drives Garfield mad.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Adan Kundle, CEO of a major advertising agency, is discovered unconscious in front of a wall of TVs. When he wakes in the hospital, Adan can only communicate through advertising slogans.
A staff member of a game company came to a historical museum in the border city of China. They are Wu Mi, a second-generation rich man, Mei Feng, a graduating internationaire, and Andrew, a Russian drunkard. The three inadvertently crossed…
John has inherited a castle in Italy and he moves there with his wife Susan and their blind daughter Rebecca. What they don’t realize is that there is somebody else in the castle–an abused child left to die in the basement who has now become the castle freak and is out to wreak havoc.
When the daughter of a psychiatrist is kidnapped, he’s horrified to discover that the abductors’ demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret..
Australian thriller film about a Muslim man (Firass Dirani) who kidnaps an elderly Melbourne Jewish woman (Julia Blake) and holds her hostage.
“Cowboy Up” is a celebration of the risk-taking, daredevil personalities of modern rodeo. In the world of professional bull riding, newcomer Ely Braxton (Marcus Thomas) is the craziest guy around; his brother Hank (Kiefer Sutherland) is a rodeo clown, and the two use each other to play up their acts. But love may be one thing that tears the brothers apart. When Ely falls for the rodeo’s sweetheart (Daryl Hannah), Hank is filled with jealousy and hatred. The brothers try to come to grips with their differences, but the competition gets as fierce as the bulls in the ring.
